The Smivets
Trash-pop, guitar rock and melodic miscellany.
Driving rocker with interesting twists and turns
"Twelve Notes" by The Smivets is a Progressive Rock production available on SoundClick. Rooted in Indie, the song brings a potent energy to the Progressive Rock space. No external samples are used in this track. A male singer provides a powerful vocal layer to the mix. The use of C maj gives the track an open, confident feel. The sound is niche and unique, appealing to a wide range of progressive rock fans. "Twelve Notes" has peaked at number 9 on the SoundClick Progressive Rock chart. Listeners who follow Beatles, Pixies and Wildhearts will feel right at home with this The Smivets release on SoundClick.
Slow bluesy jangle with Hammond organ and a big finish
"Disconnected" is a 78-BPM Progressive Rock track from The Smivets on SoundClick. Rooted in Blues, the song brings a balanced energy to the Progressive Rock space. This track is 100% human-made, with no AI involved or any samples used. A male vocal is a key driving element of this track. The choice of E min lends the composition a slightly moody and reflective character. The track has a soft bounce quality that makes it easy to connect with. "Disconnected" has peaked at number 1 on the SoundClick Progressive Rock chart. If Blues is your sound, "Disconnected" is a strong addition to your playlist.
Hard-hitting track by The Smivets.
Independent artist The Smivets drops "Shangri-La", a Classic Rock track on SoundClick. Running at 110 BPM, this is an authentic Classic Rock production with a distinct character. This is an entirely human-produced track, no AI, no samples, no shortcuts. Written in E maj, the track draws on the key's naturally uplifting and expansive qualities. The steady atmosphere pairs with a crowd-moving pulse throughout the track. It has reached the top 10 on the SoundClick Classic Rock chart, peaking at #1. Find more from The Smivets on SoundClick, a platform built for independent music discovery.
Psychedelic prog rocker
The Smivets delivers a shadowy Psychedelic Rock experience on SoundClick with "Flashbacks". The sound is shaped by guitars, giving the song its signature feel. This track is 100% human-made, with no AI involved or any samples used. A male vocal is a key driving element of this track. The choice of E min lends the composition a slightly moody and reflective character. With its shadowy tone and a subtle groove rhythm, the track covers a lot of emotional ground. "Flashbacks" has peaked at number 2 on the SoundClick Psychedelic Rock chart. Listeners into Indie will find this track a natural fit within their rotation.
Acoustic rock with a jangle solo
"Go To Hell" is a somber Acoustic Rock track by The Smivets, released on SoundClick. Built around guitars, the song delivers an explosive listening experience. This authentic song uses zero artificial intelligence or samples; it is all human-made. A male singer provides a powerful vocal layer to the mix. The G maj tonality gives the song an energetic and forward-moving foundation. The production leans into a somber aesthetic that fits the acoustic rock style. "Go To Hell" has peaked at number 1 on the SoundClick Acoustic Rock chart. For fans of Beatles, Pixies and Wildhearts looking for something new, The Smivets delivers on SoundClick.
Not so much a band as a bloke with a guitar and a laptop, The Smivets deliver a genre-bending blend of pop, rock, punk, prog and many other monosyllables.
Beatles, Genesis, Clash, Abba, Pixies, Foo Fighters, Rancid, Wildhearts, Cardiacs
Marshall combos, Fender Tele, Gordon Smith GS2, Cubase.
Dog Poetry
I have always written songs.
When I say songs, what I really mean is the music for songs - chord sequences, tunes, melodies, choruses - all the ingredients for a song except for one, vital part. The damn lyrics. Every song seemed to follow the same path - got the chords, got the hook, even the guitar solo whatever, all I need now is the words ... and there it stopped. I had loads of them - songs that all went "la la la" or "do do do" or, even worse, a set of verses written in the pub at the end of the night that really should have stayed on the beermat. Songs without words, and, let's face it, a song without something to sing isn't actually a song at all. It's an instrumental. Something that requires a drum solo. Or a bass solo.
But then, last year, the clouds suddenly seemed to part and I made a miraculous discovery.
For those of you who struggle to write lyrics I can offer this simple remedy:
GET A DOG.
Not, I hasten to add, that I have found some way to force the poor creature to write the words for me (although, if you have read some of mine, you may be forgiven for thinking this), but there's some magic about taking the thing for a walk that seems to bring words tumbling into your head.
Maybe it's the quiet of the park, maybe it's the rhythm of walking or the absence of other distractions. Maybe it's just that you can sing and mumble to yourself without frightening too many people, but, time and time again, whenever I've been stuck for a line or a rhyme or even the "seed" of a song, I just take the dog out and the words come.
So that's why I've called my next collection Dog Poetry, and I hope you like it.
The dog by the way is called Sid.
Sid thinks it's great.
The Smivets are supposed to sound like my favourite radio station - like every track is by a different band in a different style but all hopefully with a bit of quality to them. I also like the idea of the 16 line novel - if a picture paints a thousand words a song should sing you the whole book.
Does it work? Let me know what you think.