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Hip-Hop & Christian Rap artist from Brooklyn, NY. New songs free to stream or download, with purchase options starting at $0.75. Add to your playlist now.

cover pic

VULTCHA

Hot Beats, Hot Rhymes, Fire , New Artist, Choich, Hot, Fresh, NYC, New York, Da Truth

3 songs
3.5K plays
Picture for song 'B4M (BEFORE MARRIAGE)' by artist 'VULTCHA'

B4M (BEFORE MARRIAGE) B4M (BEFORE MARRIAGE)

This is a song for the young girl who "thinks she's in love"...she's really in lust, and blinded by the fact that she's a novice in the wisdom and understanding of what true love is.

New School

Picture for song '2MORROW (FULL VERSION)' by artist 'VULTCHA'

2MORROW (FULL VERSION) 2MORROW (FULL VERSION)

This is a song about "tomorrow". It's not guaranteed.

Christian Rap

Picture for song 'THE BAD NEWS (TBN)' by artist 'VULTCHA'

THE BAD NEWS (TBN) THE BAD NEWS (TBN)

Explains how Entertainment is different from Ministry...and there's a thin line between the two.

Christian Rap

vulture 'vel ch er noun 1 a large bird of prey with the head and neck more or less bare of feathers, feeding chiefly on carrion and reputed to gather with others in anticipation of the death of a sick or injured animal or person. Order Accipitriformes: the Old World vultures (family Accipitridae, esp. Gyps and Aegypius) and the New World vultures (with the condors in the family Cathartidae). VULTCHA 'vul ch a person 1 a 5, 11" Christian black dude that feeds off the spiritually DEAD state of Hip Hop and R&B Music.
Band/artist history
Since the age of 14, East New York's own VULTCHA, has been the myth-buster to the paradox of rhyming producer's. With a natural ear for music, he has been producing albums and demo?s for countless unsigned R&B and rap acts in the New York/Tri-State area. Frustrated with his efforts to attain production fame or fortune, he went awol on his ex-rap groups and he has found more doors opening to the efforts of his solo "ministry".
Have you performed in front of an audience?
I PLAY WHEREVER I'M ASKED TO PLAY (WITHING REASONABLE TIMEframe AND TRAVELING DISTANCE) The moment most special to me is when I visually see the surprise on the listener's faces at the message. Most of the time, people haven't heard of me, and have no idea what I'm going to say when I grab the mic...God seems thoroughly glorified after I perform, and it's no boast to my skills as a performer, I know the message rings home with some one (even if it's just one, that's special to me)
Your musical influences
During the "golden age" of hip hop, I was a heavily influenced by Run-DMC/Jam Master Jay[RIP] . Scratches by JMJ, Eric B. on the end of Paid in Full, UTFO's "Roxanne" created the fascination with DJ'ing...that was the jump-off to me wanting to learn more about mixing, which led to producing. Kurtis blow (who I've met), beats from Davey DMX, Tee La Rock, Spooney Gee, Beastie Boys (for the crazyness)and of course the Sugar Hill Gang, Melle Mel(the message is one of my all-time favorites), Furious Five, Fat Boys(cause they from East New York like me), T Funk (original inspector Gadget beat), Doug E. Fresh, Slick Rick, Public Enemy, Ultramagnetic Mc's(kool Keith, beats from Ced G), Audio Two, Biz Markie, Eric B. and Rahkim, Big Daddy Kane, Mc Shan, Kool G. Rap, Marley Marl (the bridge and Eric B. for pres...they made me want to produce)Masta Ace, Jungle Bros (I use to swear I was one of them...they had all the break beats), Q Tip and the Tribe, De La Soul, which really sums up my training years. I was already producing in 1987, but I only had a drum machine (Casio RZ-1) and turntables. I'm basically a fan of almost any joint your heard before 1994. After that, it gets really sketchy, and I was already doing a lot of shows and in the studio, so my fandom was at it's end by then. These are my new favorites (my peeps): Mahagoany Jones, Simian Child, Conquest (aka dreadlocks slimmm), Blahzee, sean faith, Da Truth, Cross Movement, Excelsius, K-Drama, Young Ray (E2's survivor), Sean Slaughter, Lavoisier, Redeemed thought,Todd Bangz... And many, many true Christian Hip Hop musicians, and ministers.
What equipment do you use?
CUBASE 4.5.2 YAMAHA Motif XS6 Roland Super JV1080 -Orchestral Card -60&70's Card -Session Card (piano and guitars are great) -Vintage Synth Card Roland MC-50MkII SEQUENCER Roland VS1680 Akai S-2000 Akai S-950 Mackie HR824's Steinberg Wavelabs 4.0 REASON 4.0 Alesis Studio 32 Sony PCM-r300 Dat Antares AVP-1 Alesis Midiverb 4 Focusrite Platinum Twinpak pro UAD Solo 610 NEUMANN TLM103 Audio-Technica AT3035 AKG 535 EB RADIUM 61 MIDI Controller Dela 66 Audio Card (2) PRESONUS FIREPOD - FP10 PLUG INS: T-RACKS 3 DELUXE WAVES RENAISSANCE VOX ANTARES AUTO-TUNE
Anything else?
To all the budding producers, Less is more! It's cool to have a ton of toys, but when you are working with limitations there is something about that--it leads you to be more creative with what you have. You can have all the equipment in the world and still be wack, so use what you got, and you'll learn more that way...then you can graduate to more stuff when your ready. I started out with a Casio RZ-1 (very rare) drum machine and an Akai X7000 (no sampling time, mad, mad, mad gritty!!). Just having those limitations made me a better artist/musician/producer - made me more creative than I would've been if I had started with 5 minutes sampling time and sequencing...LOL. Back then we were still doing audio triggers, I used to hook the outputs from the RZ-1 into the trigger input on the X7000. Then I had to lay all those tracks down on a Roland Portastudio 1. 3 tracks of music, and one track of vocals...you talking about limitations, every posse cut had to be extremely well planned just to pull it off and have it sound like something.
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