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Dogtronic
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Dirty sounding techno tracl
electro techno dance funky house experimental daft punk dog tech axwell audio bullies soul wax dj touche armin van helden seamus haji claude von stroke alloy mental sebastain ingrosso mark knight dave spoon
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Destinctive..Modern New and fresh..a look at the old skool dance music and a veiw to the future
Welcome to the Dogard band page. feel free to browse the tracks and become fans and spread the word.. So who is Dogard? Dogard is the alter ego of creator Robert Weir. Dogard actually began life as KEN DOGG, before Gaining a full name Kenith Dogard... So how long as he Been on the seen? Well to be honest Dogard is the recent guise in which i create my music, however i have at this for a fair old time. i first started out on the sample base programmes Music (playstation) and e jay (pc) although i enjoyed making the music on these, all i was really doing was arranging some else's work. i didn't actually start producing my own beats and melodies until 2005... So have you had much success? The closest thing to success that i've had with my music was in 2006 when internet radio station PulseRated stumbled upon a track called Boom Boom Land...the Dj who heard it, Sarah Kerr made it her song of the week and it meant a full week of air time and of course the obligatory interview...
Song Info
Charts
Peak #650
Peak in subgenre #113
Author
Robert Weir
Rights
2008 Air House Records, Robert Weir
Uploaded
January 11, 2009
Track Files
MP3
MP3 4.7 MB 128 kbps 5:09
Story behind the song
i've been workin on this track on and of 4 about 4 months...it was originally set to be a house track with a funky sounding electro bass line however i could never get to sound right and all matter of synths that i put in to accompany e bass just didn't work...I decided to play around with the bass, trying my best not to ruin what i had...thats when the dirty electro sound you hear was born...set with a deep yet punchy drum this sound really took of...i then tweaked the hihats and precussion give it a groove and turned the bpm from 128 up to 130.....the synth line was born out of the same vst as Flight of the whiskers. is cut the note length and it really sounded like an excellent choice...finally to give the track its variation i added extra bass and used a freq cut of automation to give much neededanticipation and variation...all in al it was 4 months well spent. enjoy
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