Stripedgazelle
Expressing the inexpressible
A Baroque track by Stripedgazelle.
SoundClick artist Stripedgazelle presents "Louis Couperin: Préludes non mesurés: 6", an outstanding release in the Baroque genre. Featuring harpsichord, the production has a distinctive and cohesive sound. Every element feels intentional, resulting in a cohesive baroque track that resonates. "Louis Couperin: Préludes non mesurés: 6" has peaked at number 3 on the SoundClick Baroque chart. Producers and creators can get a royalty-free Creative Commons license for "Louis Couperin: Préludes non mesurés: 6" — the standardized, legally-sound way to grant permissions.
Discover this Baroque track.
Independent artist Stripedgazelle drops "Louis Couperin: Préludes non mesurés: 1", a Baroque track on SoundClick. Featuring harpsichord, the production has a distinctive and cohesive sound. This track does what good baroque does best — it connects. "Louis Couperin: Préludes non mesurés: 1" has peaked at number 5 on the SoundClick Baroque chart. "Louis Couperin: Préludes non mesurés: 1" can be used royalty-free with a Creative Commons license, making it freely accessible for sync, content, and creative projects.
00:00 Prélude 01:53 Dessus de Tierce ou Cornet 03:55 Voix humaine 06:47 Duo 08:37 Cromhorne en Taille 11:06 Basse de Trompette 13:49 Dialogue 16:50 Plein Jeu
Independent artist Stripedgazelle drops "Nicolas Lebègue: Suite du 7e ton", a Baroque track on SoundClick. Featuring organ, the production has a distinctive and cohesive sound. Representing the charismatic sound of baroque in French, this track speaks for itself. "Nicolas Lebègue: Suite du 7e ton" has peaked at number 4 on the SoundClick Baroque chart. Need a beat for your next project? "Nicolas Lebègue: Suite du 7e ton" is available with a royalty-free Creative Commons license on SoundClick.
Discover this Renaissance track.
"Titelouze: Ave Maris Stella" is a Renaissance track by Stripedgazelle on SoundClick. The sound is shaped by organ, giving the song its signature feel. The French influence comes through clearly, making this especially appealing to renaissance fans. It has peaked at #22 in Classical and #2 in Renaissance on the SoundClick charts. Get this renaissance track with a royalty-free Creative Commons license — only available on SoundClick.
Where are those happy shepherds going?
Independent artist Stripedgazelle drops "Nicolas Lebègue: Ou s’en vont ces gays Bergers", a Baroque track on SoundClick. Built around organ, the song delivers an even-tempered listening experience. Rooted in C maj, the song carries a warm and resolved quality. The song carries a radiant mood, with themes of christmas, aya nakamura and justice woven throughout. "Nicolas Lebègue: Ou s’en vont ces gays Bergers" has peaked at number 4 on the SoundClick Baroque chart. Producers and creators can get a royalty-free Creative Commons license for "Nicolas Lebègue: Ou s’en vont ces gays Bergers" — the standardized, legally-sound way to grant permissions.
I'm Nobody! Who are you? Are you - Nobody - too?
I have never taken an interest in popular trends, hence I have of necessity accepted a life of obscurity. I studied piano with Fritz Berens, organ with Dr. Linton Powell, and harpsichord with Dr. Lenora McCroskey.
I have performed many times in front of an audience, especially for churches, but I much prefer recording -- there are far too many distractions in rooms filled with restless people!
Alexis Weissenberg, Glenn Gould, Leopold Stokowski, Wilhelm Furtwangler, Jean Titelouze, Johann Sebastian Bach, Johann Pachelbel, Fritz Berens, Louis Couperin, François Couperin, Philip Glass, Jean Sibelius, Anton Bruckner, Emily Dickinson
My recordings are made with a TASCAM DR-100MKIII. My harpsichord is a Franco-Flemish built by Gerald Self in 2020. The organ I use is the Allen digital ADC-3000 at First Christian Church in Brady, Texas.
“The explorers seek happiness in finding curiosities, discovering new lands and undergoing risks in adventures. They are thrilling. But where is pleasure found? Only within. Pleasure is not to be sought in the external world.”
Ramana Maharshi