"Come One, Come All" is an electrifying instrumental track that captures the high-stakes energy and vintage flair of a 1970s spy thriller.
Check out the artist page.
Stream all 18 songs for free.
Story behind the song
"Come One, Come All" is a powerful tribute to the golden era of 70s funk and cinematic sports themes. One of Ward C Locke's favorite tracks as a youth, this version recreates the gritty, high-energy sound of a 1975 championship broadcast. Blending explosive brass arrangements with a driving secret-agent groove, it captures the raw intensity of a classic NHL 'needle-drop'where vintage soul-jazz meets the high stakes of the arena.
This version of "Come One, Come All" is a high-octane reimagining of the Brass Incorporated classic, specifically tailored to mirror the intensity of a 1975 NHL Finals needle-drop soundtrack. Ward C Locke’s production shifts the focus to the raw, aggressive drive of mid-70s sports broadcasting while maintaining the sophisticated soul-jazz foundation originally composed by Syd Dale.
The Sound: This rendition is anchored by explosive brass fanfares and punchy horn stabs that feel stadium-ready.
Instrumentation: It features a prominent, funky wah-wah electric guitar and a deep rhythmic bassline, layered with cinematic orchestral swells to enhance the "imaginary thriller" vibe.
Tempo and Energy: Clocking in at a driving 138 BPM in E Minor, the track maintains a tense, mysterious energy perfect for high-speed action.
While the original was part of the Inner City Beat compilation, this specific version leans into the "vintage grit" of 1970s sports and cinema:
The Atmosphere: Locke’s arrangement evokes a collision of high-speed car chases through neon-lit streets and the electric atmosphere of a championship final.
Dynamic Structure: The song moves through strategic shifts, transitioning from "cool," rhythmic verses led by the bass and guitar to triumphant, full-throttle brass sections.
Stylistic Influence: By emphasizing relentless funk rhythms and aggressive horns, the track sounds like a cross between a Lalo Schifrin detective score and the heavy, modern brass grooves of The Budos Band.
