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"A Cloud in Trousers," Prologue and Part One
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Composition for Solo Baritone and Orchestra and Chorus, on the poem by Vladimir Mayakovski, in Russian.
jazz classical instrumental vocal opera orchestra chamber ballet
Artist picture
Composer for large-scale performance work, ballet and opera. Have written music for classical theatrical productions of Shakespeare, ("The Tempest," "The Twelft
Loren Lieberman is a native of Denver, Colorado, now living on the West Coast in California, where he is best known for his work as an actor in Classical and Shakespearean Theatre. He has a degree from Sonoma State University in Theatre Arts, and has been an Honor's Music Composition Student at the College of Marin, Santa Rosa Junior College, and at Sonoma State University. He has won an award for composition from the Redwood Empire Music Association. He has recently completed an opera in Russian, based on the novel by Alexander Solzhenitsyn, "Cancer Ward", (and of the same name), and is currently working on his fourth opera, based on the Classical Tragedy by Sophocles, "Oedipus the King," with a libretto in Ancient Greek. His interest in languages has shaped much of his artistic temperment, and he is self taught in Russian and Sanskrit, and has hopes to begin his next opera, Shakespeare's, "Romeo and Juliet," in Hindi.
Song Info
Genre
Classical Opera
Charts
Peak #62
Peak in subgenre #4
Author
Vladimir Mayakovski/Loren Lieberman
Rights
adhikapokoya 2010
Uploaded
August 15, 2011
Track Files
MP3
MP3 9.5 MB 112 kbps 11:51
Story behind the song
World War One as the Center of the Galaxy. Mayakovski was first associated with the "Futurists," a group of artists at the beginning of the last century with a political agenda which was nationalistic and chauvinistic, consisting of pro-violence and pro-war forums. "A Cloud in Trousers," was, I believe, his first work which brought him prominence and celebrity, and was published in 1915. The composer has used this work as a window into the turmoil of the first few decades of the 20th Century. The poem consists of a Prologue and Four Parts. The composition is in the original Russian. There are a number of reasons why the composer has directed his attention to this poem as a subject for writing, not the least being Mayakovski's current (continued) popularity, particularly with young readers in Russia, who describe Mayakovski as their favorite poet.
Lyrics
Mayakovski, and his work, "A Cloud in Trousers," in particular, because of his "street" music -- the language and sounds of informal Russia, that is, the uneducated, the peasant, the gangster -- make native Russian speakers skeptical of efforts to translate his work. I did not use my own translation to understand the "events" of this poem, but one found on line, by Andrey Kneller. Here is his translation of the Prologue and Part One of Mayakovski's, "A Cloud in Trousers." A Cloud in Trousers by Vladimir Mayakovsky translated from the Russian by Andrey Kneller Prologue Your thought, Fantasizing on a sodden brain, Like a bloated lackey on a greasy couch sprawling, -- With my heart’s bloody tatters, I’ll mock it again. Until I’m contempt, I’ll be ruthless and galling. There’s no grandfatherly fondness in me, There are no gray hairs in my soul! Shaking the world with my voice and grinning, I pass you by, -- handsome, Twentytwoyearold. Gentle souls! You play your love on the violin. The crude ones play it on the drums violently. But can you turn yourselves inside out, like me And become just two lips entirely? Come and learn-- You, decorous bureaucrats of angelic leagues! Step out of those cambric drawing-rooms And you, who can leaf your lips Like a cook turns the pages of her recipe books. If you wish-- I’ll rage on raw meat like a vandal Or change into hues that the sunrise arouses, If you wish-- I can be irreproachably gentle, Not a man -- but a cloud in trousers. I refuse to believe in Nice1 blossoming! I will glorify you regardless, -- Men, crumpled like bed-sheets in hospitals, And women, battered like overused proverbs. A Cloud in Trousers [Part 1]   You think malaria makes me delirious?   It happened. In Odessa it happened.   "I'll come at four," Maria promised.   Eight. Nine. Ten.   Then the evening turned its back on the windows and plunged into grim night, scowling Decemberish.   At my decrepit back the candelabras guffawed and whinnied.   You would not recognise me now: a bulging bulk of sinews, groaning, and writhing, What can such a clod desire? Though a clod, many things!   The self does not care whether one is cast of bronze or the heart has an iron lining. At night the self only desires to steep its clangour in softness, in woman.   And thus, enormous, I stood hunched by the window, and my brow melted the glass. What will it be: love or no-love? And what kind of love: big or minute? How could a body like this have a big love? It should be teeny-weeny, humble, little love; a love that shies at the hooting of cars, that adores the bells of horse-trams.   Again and again nuzzling against the rain, my face pressed against its pitted face, I wait, splashed by the city's thundering surf.   Then midnight, amok with a knife, caught up, cut him down – out with him!   The stroke of twelve fell like a head from a block.   On the windowpanes, grey raindrops howled together, piling on a grimace as though the gargoyles of Notre Dame were howling.   Damn you! Isn't that enough? Screams will soon claw my mouth apart.   Then I heard, softly, a nerve leap like a sick man from his bed. Then, barely moving, at first, it soon scampered about, agitated, distinct. Now, with a couple more, it darted about in a desperate dance.   The plaster on the ground floor crashed.   Nerves, big nerves, tiny nerves, many nerves! – galloped madly till soon their legs gave way.   But night oozed and oozed through the room – and the eye, weighed down, could not slither out of the slime.   The doors suddenly banged ta-ra-bang, as though the hotel's teeth chattered.   You swept in abruptly like "take it or leave it!" Mauling your suede gloves, you declared: "D'you know, I'm getting married."   All right, marry then. So what, I can take it. As you see, I'm calm! Like the p
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