Song picture
Cut the Lights
eli
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A catchy song from the demo. For fans of Atreyu and Iron Maiden.
heavy emo metal hardcore
Artist picture
eli is has both heavy and melodic aspects. Carrying on influences from hardcore, metalcore, metal, classic rock, jazz, there is a diverse range of sounds in our
eli is a group of Juniors in High School from Schaumburg, IL, a northwest suburb of Chicago.
Song Info
Charts
#23,238 today Peak #143
#7,142 in subgenre Peak #44
Author
Words by Harrison Wenger / Music by eli
Rights
2003
Uploaded
December 07, 2003
Track Files
MP3
MP3 3.8 MB 128 kbps 0:00
Story behind the song
Cut the Lights is a great example of what we believe in as a band. It targets the impurities of individuals and the betrayal one feels because of it.
Lyrics
Thanks for stepping back And letting us take our place In a footing desperately used Don't you feel betrayed? The break will cause the boards to shift And fall out of place In a footing desperately used Don't you feel betrayed? Be one with fate (don't you feel betrayed) The fire in our eyes is so bright Be there for destiny (destiny) Rip it out Rest in pieces The weeds grow thick and melt The cross was put there for you In all its perfection We could be perfect The fire fades away Cut the lights And hide behind your empty voice 'Cause all I see is a shattered room Blanketed with a dusty mist of memories It's too late to face my eyes I said to you, smiling, "goodbye . . ." I can so clearly imagine myself Turning the hate into, blood And hanging your body To the pole of my, flag There's a pressure in your thoughts That's pushing the tears It's making you think of existence You can call me the giver of life When I hold the pistol to your temples And tell you everything you lived for will be forgotten Give me a second thought of you existing in my life And there won't be one last breath of you Once you've tricked me for all its worth And fallen below purity TURN HATE INTO BLOOD Kiss the hope from my hands And fall backwards onto the pedals I've laid for you See past what's believable And gaze into frames of unmovable emotions . . .
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