Song picture
Seventeen for Jean
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Single   $1
Odd meter clarinet and violin feature
progressive jazz fusion latin trumpet hackdaddy
Artist picture
Progressive, Instrumental, Latin, Jazz, Smooth Jazz, Rock
Mike Hackbert is the creative force behind Hackdaddy. Mike has been an active musician since the early ’70s, when he began playing brass instruments and settled on the trumpet as a primary instrument. Mike was involved with a number of bands and ensembles in high school and college; his composing and arranging skills were honed in college and are still in use today. In the ’80s and ’90s Mike was based in Champaign-Urbana Illinois and could be seen in a number of groups around the area in addition to work as a soloist, in the theatre pits and in local recording studios. The main focus at that time was the group Champaign Brass, a brass quintet founded by Mike in 1986 that is still active today. Mike’s ability to play in a variety of styles has him frequently playing with a diverse set of groups. As Hackdaddy, Mike collaborates with other musicians globally. Mike's main influences are smooth jazz, latin beats and progressive rock, with some baroque, classic and new age thrown in as well. He has been accused of never finding an added-note chord he didn't like, and is fond of complex rhythms and time signatures. With Hackdaddy, these creative projects (some are years old, some are months old, some are only weeks old) from Mike are finding a wider audience for listening and enjoyment.
Song Info
Genre
World World Fusion
Charts
#6,901 today Peak #100
#905 in subgenre Peak #13
Author
Hackdaddy
Rights
2008 Michael Hackbert (BMI)
Uploaded
January 16, 2008
Track Files
MP3
MP3 2.8 MB 128 kbps 3:00
Story behind the song
This song, more than anything else I've written, is based on a single artist, actually on a single tune. Don Ellis did a tune called Bulgarian Bulge, an eastern-European sounding thing in a meter of 33/16 (yes, 33/16, that's not a typo). Being a huge fan of odd/complex meters, I wanted to write something similar, but not wanting to be a copy cat, mine is only in 17/8. I suppose I could have written it in 34/16, but then it might look like I was trying to one-up Mr. Ellis by a sixteenth note, and that was not my intention. The resultant meter is also the influence for the name of the piece. I did keep the eastern-European influences by using prominent clarinet and violin, although the beds for the solos are decidedly more western-jazzy, in Hank Levy sort of way. This is yet another one of my -projects that started more than a few years ago, but got finished a few days ago.
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