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I am a composer of contemporary classical music, as well as a producer of various types of electronic and jazz musics. Aesthetically, I enjoy experimenting with minimal textures in conjunction with fleeting tonality and coloristic settings. Panned Ghosts is my most significant experiment to date in the synthesis of electronic and classical musics.
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definitely minimalist; I'd work on part 1- in keeping the listener's interest- the intro is a bit stretched and will lose a lot of listeners; if you want to put your best foot forward, start the piece with the passage beginning at 4:10, and keep it going somewhere- a mistake of many who try minimalism is not offering any nuances in the repetition, where the listener will fast-forward to see where it is going... keep in mind a listener will 'listen through' what you are doing, no matter how technically gymnastic or not it is, trying and find the heart and mind of the composer/performer, searching for something human to latch on to... if there is nothing, they will assume you have nothing to offer, and might as well be listening to a stamping machine in a machine shop... don't forget there is 'girl' music and 'guy' music- your piece here is heavily 'guy' music (as is most of the 20th century classical/experimental fare, and which is the reason it failed to capture general audiences); in