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Roam In This Chuch
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This is the 5th track of my NET ALBUM 'Reasonings in Dub'. Time for a little contemplation about something which is mistakenly called 'House of God', namely these buildings usually with steeples and a sign saying 'Church': 'The Roads A
reggae dub dubwise horseman dennis alcapone dubroom messian dread nishka
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Original Dubroom Productions. Dubroom.org promotes (DUB) Reggae and Consciousness online since 1997
With over half a million downloads at various different sites, Messian Dread is one of the most popular Online DUB Artists. He is widely considered to be a pioneer in online DUB and the popularization of creating DUB music with computers. He produces his music in his studio The Dubroom. Today, Messian Dread still releases much of his music on the Internet. The music of his art is Roots. Roots Reggae with the emphasis on Dub. Most tracks he makes are Dubs. Where other modern Dub Artists choose ultra modern breakbeat rhythms, or cross the lines of reggae in another way, Messian tries to keep his music well within these borders. His ideal is to simulate the situation of the studios in which reggae originated and to produce his music according to the same principals. To say he never experiments is another extreme, but the central point in his music remains to be the combination of his roots basslines and authentic reggae drums. Messian Dread's main inspiration lies within the works of the Dub Masters, like Scientist, Prince Jammy, King Tubby, Paul Groucho Smykle, and Philip Smart. "They remain to be the masters for I," he says. Although Messian Dread has such clear examples, his music is in no way a copy of their work. "Because I also play most of my music myself, and I sing on my own tracks, this is a difference with the Original Dub Masters." Consciousness is another strong foundation in the music of Messian Dread. You will not find slackness (that is: more or less pornographic) in his tracks. Within reggae, the word "consciousness" stands for positive lyrics with a spiritual or social message. Messian's music is just that. Being a "Jesus Dread", or (as some call it) "Rasta of the Christ Doctrine", like his example Yabby You, is the main reason for Messian Dread to make music. And to write. Messian Dread's writings go hand-in-hand with his musical releases, and when you have the time to check them, they will give the musical experience a deeper dimension for sure. His publications and articles have been quoted in books. Messian Dread also spoke at universities and festivals on an international basis. And the press knows to find him too. Often, his out-spoken and thought-provoking articles and essays initiate fierce debates. ------------------------------------- Discography: Messian Dread One From Dubroom Archives volume 1 MessenJah Dub From Dubroom Archives volume 2 Mark Of The Nazarite Hardcore DUB Sessions Skunk In The Room From Dubroom Archives volume 3 No Worry Your Mind EP Apocalypse Then Reasonings In Dub Showcase From Messian Dread With DUB (5 Track) PLUS: Lots Of Single Releases ---------------------------------- Appeared on: Various Artists - Roots of Dub Funk volume 1 (UK) Various Artists - You Got Rhythm (JAPAN) Various Artists - Dub meets Dub (USA) Alpha and Omega - Serious Joke (UK)
Song Info
Genre
World Reggae
Author
Messian Dread
Rights
Messian Dread
Uploaded
December 20, 2006
Track Files
MP3
MP3 2.8 MB 128 kbps 3:06
Story behind the song
This is the 5th track of my NET ALBUM "Reasonings in Dub". Time for a little contemplation about something which is mistakenly called "House of God", namely these buildings usually with steeples and a sign saying "Church": "The Roads All Lead To Rome When You Follow Preacherman So No More Will I Roam In This Church Of Babylon" Clear words. Don't get caught in the illusion that this denominational system of "churches" and "versions" we call "Christianity", is in reality the Church of Yesus Kristos and His teachings. They're building their churches with their steeples, but they are all buildings on the sinking sand. Where my previous tune (In The House Of JAH Forever) was a Steppers with a "strange snare", this one is a One Drop with a strange snare as well. Usually, a One Drop is played with a "rimclick", but this one comes with a full snare hit. The Bassline is very monotonous, and starts at a place in the bar where you wouldn't expect it. There's really a lot of reverberation and filtering going on over the bassline throughout the whole track. Every now and then the drum and bass stop playing, there's nuff vocals throughout the mix, and there are several instruments to fill in the riddim and the feed the dub machines.
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