Song picture
Kinetica
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A lost recording from the early days, this was performed live in my basement by Moobis who was really on a roll that day. 2der Mooby's very last FL 3 track.
electronic music fl studio j sarge remedial mtheory music made electronically j sargent short subject music youd like it if you had moobis
Artist picture
Remedial M-Theory... laboring in electronic obscurity and summer science school since 200
Remedial M-Theory is the work of one guy laboring in obscurity since 2004 with a handful of fans who are loyal and supportive but are outnumbered by the detractors that exist solely in his mind (not saying there aren't detractors outside his mind, just that the ones inside his head are indeed legion). To say he's a bit nuts would be an understatement. For cryin out loud he's in a band with his computer and they spend most of their time arguing over creative differences (mostly the computer saying it should go solo, blah blah...). You might not guess from listening to this so-called music but this guy has a very musical upbringing and a fervent appreciation for all things musical from the beginning of time until the day the music died which incidentally (sorry Don McClain) had less to do with Mick Jagger than it did with with Michael Bolton. Influences range from minimalist composers and cubist painters to the grand operas from the likes of Verdi, Mozart, and The Who. You might not know it from listening to what is here but it's in there somewhere... and if it's not could you at least tell him where his keys are???
Song Info
Charts
Peak #1,371
Peak in subgenre #63
Author
J Sargent
Rights
Jeffrey K Sargent
Uploaded
February 13, 2006
Track Files
MP3
MP3 3.4 MB 128 kbps 3:41
Story behind the song
Kinetica © Jeffrey K Sargent 2006 One of the disadvantages of electronica is that the music is never farther away than my computer. It is very difficult to avoid the temptation to tinker with songs I finished. For the most part a song is never finished. I am forever adding a beat variant, adjusting levels, or substituting instruments. In the case of this song, I changed nearly everything. It was originally a track called “To the Roon,” that was written for my first album. I always felt it was one of my weaker tracks and so I had always intended to tinker with it a little. By the time I got around to it, the entire structure and texture of the song were altered leaving me with something so far beyond the original track that I am sometimes surprised how a simple, goofball overly synthesized song came to this. For me, I am attached to certain tracks because of what they taught me, and what they led me to writing next. This may not be the coolest song I ever wrote, and it may not be something anyone else really appreciates, but it will always be important to me for the doors it opened in my imagination, and the journey it set me on.
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