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The Vocalizer Players constantly need new talent, who will feel The World of Theatre coursing through their veins like mother's milk (huh??) The classics take a beating when these potential Vocalizers start chewing the scenery...
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I've been a professional violinist for more than 30 years, playing everything from orchestras and quartets (lotsa weddings!) to recordings to backing up headliners to rock and blues and cabaret. Couple years back, I started getting into the Phonography movement, a group of musicians who make, trade and modify field recordings (and especially Aaron Ximm, the "Quiet American," who has travelled extensively in Asia and elsewhere and has been an inspiration to me). I've gotten into doing field recordings myself, too, using an old Sony minidisc recorder and a set of stereo mics mounted on an old set of headphones for camouflage. Combining these real-life soundscapes with synthesized voices, sound effects, various signal processing and bits and pieces I've picked up, I've done things more on the abstract side, and lots of others more like comedy sketches or little radio plays. Doing this stuff has kept me out of trouble, like when I've played way too many weddings in a row... By the way, you might consider using a good pair of phones to listen...
Song Info
Charts
Peak #698
Peak in subgenre #109
Uploaded
October 12, 2004
Track Files
MP3
MP3 3.3 MB 128 kbps 0:00
Story behind the song
The voice synthesizers can give out-and-out eccentric readings sometimes, like in this piece. I had no control over the vocal inflections, except to reject those that were totally off the wall. Some of them were so weird and silly that I let them lead the direction of where the story was going.
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