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Journey Onward - Piano Solo
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Piano transcription to "Journey Onward". I tried to stay as true as possible to the original orchestral version, especially in keeping the bass ostinato as well as the off-beat fills for pizzicato strings beneath the melody vocings.
film music epic piano music heroic orignal composition vigorously
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Cinematic Music Production
Freelance composer for all kinds of cinematic music. Contact: dustin.naegel@gmail.com Credits Film Music: The Trial of Darth Sins type: short film; genre: action adventure/martial arts; production: Christopher Nemetz, 2021. Celina type: short film; genre: drama/adventure; production: Michael Kleinfeld, 2017. www.youtube.com/watch?v=YUD0gbj-RXc Sarah" type: short film; genre: horror thriller; production: Kai Wirblat, Michael Kleinfeld, 2016. www.youtube.com/watch?v=CVx9Q85qQ40&t=3s Getuermt (en: "Escaped!") type: short film; genre: action; production: Oliver Weisskopf, Michael Kleinfeld, 2014. www.youtube.com/watch?v=NcnEBL4Tk7w Drogendeal mit Vertretung: type: short film, genre: crime; production: Oliver Weisskopf, Michael Kleinfeld, 2015. The Dagger of Deliverance: type: fan film; genre: fantasy/adventure; production: Philipp Weimann, 20052006 (unreleased). Game Soundtracks: Miguel Detektiv auf leisen Pfoten (en: Miguel - Feline Investigator) genre: point-and-click adventure; development: Thomas Oelkers, 2017. Das Geheimnis des Hyperaffen (en: Apepocalypse) genre: point-and-click adventure; development: Borstoworx, 2010. Dark Crypt genre: dungeon crawler; development: Thomas Oelkers, 2008. Affenkrach am Giraffenbach genre: jump-and-run; development: Andreas Mettler, 2007. Codename: Stinkon" genre: point-and-click adventure; development: Borstoworx, 2005. Ultima IX: Redemption genre: role-playing game; development: Florian Kasper, 20052016 (unreleased).
Song Info
Charts
Peak #65
Peak in subgenre #9
Author
Dustin Naegel
Rights
2017
Uploaded
June 05, 2017
Track Files
MP3
MP3 3.1 MB 160 kbps 2:42
Story behind the song
Since I wasn't entirely satisfied with the MIDI-based recording of my orchestral version I transcribed it for solo piano. I tried to stay as true as possible to the original orchestral version, especially in keeping the bass ostinato as well as the off-beat fills for pizzicato strings beneath the melody vocings. Without a biomechanical third hand that called for a lot practising! Maybe one or two of you here find it interesting to watch all the different voices in action. Hope you'll enjoy.
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