Song picture
lyrical moments
3 Comment Share
License   $0.00
Free download
c mikesch 2015 (Gibson Midtown e-guitar). Uploaded on Oct 19, 2015. This track stayed in the top 20 of Jazz-Fusion-charts for almost two years.
jazz fusion eguitar
Commercial uses of this track are NOT allowed.
Adaptations of this track are NOT allowed to be shared.
You must attribute the work in the manner specified by the artist.
Artist picture
MIKESCH is a guitarplayer from Bavaria, Germany. Mikesch plays instrumental music in various styles, mostly acoustic. Thanks for listening!
mikesch (gitarre - guitar). MikeSch is a guitarplayer from Bavaria, Germany. He plays and writes music in various styles, mostly instrumental / acoustic ... Websites: https://www.amazon.com/gp/product/B01HDPKG6W/ref=dm_ws_sp_ps_dp https://www.amazon.com/gp/product/B01M7YH8DW/ref=dm_ws_sp_ps_dp https://www.amazon.com/gp/product/B01N8P3KCF/ref=dm_ws_sp_ps_dp
Song Info
Genre
Jazz Jazz Fusion
Charts
Peak #7
Peak in subgenre #2
Author
Michael Scheungrab
Rights
Michael Scheungrab
Uploaded
October 19, 2015
Track Files
MP3
MP3 5.4 MB 160 kbps 4:42
Song Likes
On Playlists
Comments 3
Please sign up or log in to post a comment.
Musan Dera
Jan 10, 2016
This is nice. Quiet, smooth and at the same time it's so full of life and expressive. Such a strong base with the double bass and the Rhodes makes that you can be free here for improvising, telling your story. Nice one!
spinaceto
Jan 02, 2016
Ha, how good is this? ;) Excellent record, elegant double bass all over the tune, well weighted keys , and a super melodic guitar play!!! Enjoyed also the Rhodes lead really much, perfect tone you got, SUPER!!!! You used some breaks in the exact position to let the tune "breath"... good choice!! Well done Mike!! :)
Ascenzion - Al Massey
Oct 13, 2015
Love the double bass on this one. It carries the track so well. Very expressive Rhodes… love the octave guitar plays as well. Yeah!!! Awesome creative musical breaks… Your compositions are so well done. Top production! Totally enjoy listening.