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Subminor improvisation. Proteus patches: DreamyShaku and RB's Wine.
electronic classical experimental contemporary microtonal chamber xenharmonic non12 untwelve detwelvulate
Eclectic microtonal/xenharmonic 21st-century
The time has come to say no to twelve tone equal. Ask Ivor Darreg. He knows. This project is, among other things, an argument for the further exploration of microtonal/xenharmonic tunings by more musicians. If you find this argument compelling or completely repulsive, please let me know. This project is also a response to the recognized need for more examples available on the internet, for the curious. The curious will never hope to get anywhere without trying out their ears.
Song Info
Genre
World New Age
Charts
#1,722 in subgenre Peak #25
Charts
Peak #162
Author
Jacob Barton
Rights
steal it if you like it
Uploaded
April 17, 2004
Track Files
MP3
MP3 2.2 MB 128 kbps 2:21
Story behind the song
The tuning for this piece was [1/1, 28/27, 9/8, 7/6, 9/7, 4/3, 49/36, 3/2, 14/9, 12/7, 7/4, 49/27, 2/1], one of a number of answers to Aaron K. Johnson's search for 12-per-octave tunings made up only of links of 3/2s and 7/4s. "Discovered," I might mention, by Gene Ward Smith. At the time, I had been lusting after subminor modes, and this has one in it.
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