Misha Nogha
a reading of my poem for Arie van Schutterhoef from Magpies and Tigers. Electronics by Michael Chocholak excerpted from lavalamp three.
Feedback and percussive guitar techniques along with supple flute lines describe the fluid danger of Balum. Misha - flute, Michael Chocholak - guitars, parakeets - backup vocals
The Hopi word for eagle. Misha plays a clay aztec flute cast as a figurine in a trance position. Misha on clay flute & conch, Michael Chocholak on percussion, bowed guitar
Dedicated to Yoshiyuki Takada of the Sankai Juku butoh ensemble who fell to his death during a performance in Seattle on September 10, 1985. Misha - flute, Michael Chocholak - percussion, electronics ('lo-fi play' does not work)
From the series of selections written by Jonathan Golove and performed live at SUNY Buffalo in December 2002. Prose by Misha, music by Jonathan Golove.
From the series of selections written by Jonathan Golove and performed live at SUNY Buffalo in December 2002. Prose by Misha, music by Jonathan Golove.
From the series of selections written by Jonathan Golove performed live at SUNY Buffalo in December 2002. Prose by Misha, music by Jonathan Golove.
From the series of selections written by Jonathan Golove and performed live at SUNY Buffalo in December 2002. Prose by Misha, music by Jonathan Golove.
The final piece in a series of selections written by Jonathan Golove performed live at the University of Buffalo in December 2002. Prose by Misha, music by Jonathan Golove.
collaboration between Misha Nogha on flute and Conrad Schnitzler and Michael Chocholak on electronics
An improvised reading from Prayers of Steel in collaboration with German electronic music pioneer Conrad Schnitzler.
collaboration with Conrad Schnitzler. Misha on flute, Conrad Schnitzler on synth, Michael Chocholak electronics
Sound poetry piece improvised with Canadian sound artist Richard Truhlar and electroacoustic artist Michael Chocholak.