marc fedak
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here's to 2017! here's to 2017!
ear splitting, horrible sonic chaos mascarading as music..... for the anti-climatic post-truth era.
broken string / broken dream broken string / broken dream
fukushima nuclear disaster (version 2) fukushima nuclear disaster (version 2)
the original version of Fukushima Nuclear Disaster is a reggae tune that the band I'm in, Spacecraft 7, does, but this is a reworking of that song I started earlier this year and finally finished today.
alligator tales alligator tales
inauguration day inauguration day
great depression (spacecraft 7) great depression (spacecraft 7)
bill coombs - guitar; marc fedak - lead and backing vocals, guitar; steve higgins - drums; david novak - bass, backing vocals
elemental particles (spacecraft 7) elemental particles (spacecraft 7)
bill coombs - guitar, backing vocals; marc fedak - lead vocals, guitar; steve higgins - drums; david novak - bass
beautiful but very creepy (Sweet Little Tabatha) beautiful but very creepy (Sweet Little Tabatha)
Harold and Mathilda were at first overjoyed by their new baby girl....
prague spring, prague fall prague spring, prague fall
I hope to become a better piano player in the not too distant future, but still, despite the technical deficiencies, I'm still pleased by this piano instrumental, which started off as a self-designed exercise for playing chord inversion.
anxiety anxiety
where is this monstrous creator? where is this monstrous creator?
creepy church organ and atheistic sentiments. This short, whole tone scale based piece was inspired by a Youtube video of Stephen Fry being eloquently blasphemous. Thanks to Chris Mangin for posting it.
the man who sharpens our knives the man who sharpens our knives
short instrumental in e minor short instrumental in e minor
short instrumental in b major short instrumental in b major
costa's walk in the park costa's walk in the park
Dalmatian/Croatian influenced instrumental for classical guitar, upright bass, and percussion.
fukushima #2 fukushima #2
david novak gets credit for coming up with an early version of the walking bass line part. Although I ended up changing some of the chords, I kept the general style.
blues for planet earth blues for planet earth
50s R&B influenced garage rock tune with a Baroque prog rock type ending.
brief theme in e minor brief theme in e minor
piano and (simulated) flute instrumental
mad ludwig mad ludwig
a cross between "Silent Night" and the Who's "Happy Jack" and perhaps some old Civil War spiritual, except in (mostly) 3/4 time.
b flat is back b flat is back
influenced by mid 60s to mid 70s r & b and soul, in particular Sam Cook and Curtis Mayfield.
