marc fedak
lo fi garage rock, folk, and other
bossa nova influenced tune that started off as an exercise I devised for playing a C major scale as seventh (mainly barre) chords on acoustic guitar.
SoundClick artist marc fedak presents "spring is here!", an outstanding release in the Acoustic Guitar genre. Featuring acoustic guitar, the production has a distinctive and cohesive sound. The sound is broadly appealing, appealing to a wide range of acoustic guitar fans. "spring is here!" has peaked at #19 in the Acoustic Guitar category on SoundClick. marc fedak is an independent artist on SoundClick, releasing Acoustic Guitar music directly to fans worldwide.
a guitar instrumental using a lot of adjacent, slightly jarring notes.
"guitar instrumental apr 22 2026" by marc fedak is an Acoustic Guitar production available on SoundClick. The sound is shaped by acoustic guitar, giving the song its signature feel. The production leans into a somber aesthetic that fits the acoustic guitar style. It has charted at #18 on the SoundClick Acoustic Guitar chart. "guitar instrumental apr 22 2026" is part of the marc fedak catalog on SoundClick, where independent artists connect with a global audience.
simple minimalist piano piece with a quoting and paraphrasing of "We Will Fall" by Iggy and the Stooges and a song I remember from my childhood, "The Ants Come Marching".
Independent artist marc fedak drops "endlessly d, c# and a", an Alternative track on SoundClick. It is the kind of track that finds the right moment to make itself heard. The kind of alternative cut that earns its place in a playlist and stays there. "endlessly d, c# and a" has performed across multiple SoundClick charts, reaching #24 in Alternative and #6 in Alternative General. Find more from marc fedak on SoundClick, a platform built for independent music discovery.
intergenerational conflict, sometimes taken to the extreme
Independent artist marc fedak drops "young man, old man", an Acoustic track on SoundClick. marc fedak demonstrates a clear artistic voice throughout. This track holds its own in the acoustic landscape — a confident, well-executed piece. "young man, old man" has peaked at #13 in the Acoustic General category on SoundClick. Find more from marc fedak on SoundClick, a platform built for independent music discovery.
progressive country folk
"always in the way" is an Acoustic track by marc fedak on SoundClick. It rewards close listening, revealing new details on each playthrough. The production choices here reflect a genuine understanding of what makes acoustic work. It has charted at #13 on the SoundClick Acoustic General chart. "always in the way" is part of the marc fedak catalog on SoundClick, where independent artists connect with a global audience.
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
You can click on each feature on the left side of the comparison chart above to learn more about each one.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
The Stem file also usually includes the original stereo master of the track for standard playback.
The songs on this site that I recorded last year were done on a rented Tascam 2400 digital recorder. The more recent songs from this year were recorded on a Mac using the Garageband program that usually comes with a Mac. Yes, they are lo-fi and there are sometimes synching issues (because of either my limited musicianship or because I was using the computer keyboard to play simulated drums instead of a MIDI keyboard or real drum kit), but in most cases they are close to how I envisioned the songs. It's quite fun playing a guitar or bass part on acoustic guitar and then adding the Garageband distortion, "Grunge" guitar amp simulator and/or Vocal Transformer effects to make it sound like an electric guitar or bass.
Born Mar. 19, 1963 in Windsor Ontario. I now reside in East York/Toronto. I occasionally play gigs in the Toronto area with my garage rock/alt folk band Spacecraft 7. From around 2001 to 2007, I also played in a country band called the Wanted, and from 2005 - 2008, I played in an alt pop band called Yolassi.
I used to to play on my own a few years ago, but not anymore, partly because I'm not really an extrovert. Now I occasionally play in a Toronto garage rock/alt folk band Spacecraft 7. From around 2001 to 2007, I also played in a country band called the Wanted, and from 2005 - 2008, I played rhythm mandolin in an alt pop band called Yolassi.
Special moments: most Spacecraft 7 shows, a Yolassi gig which was attended by some children who actually thanked us after the gig; Port Perry fair and Hart House gigs with the Wanted; gigs with Groundwater, Rump Rangers, Screaming Daisies, and the Prehistoric Cavestrokers (excluding our very first gig at the U of Windsor, three days after we formed, where we got gonged not once, but twice -- on my birthday no less!).
60s (hendrix, cream, yardbirds, pink floyd, who, nice, iggy and the stooges, moody blues, crazy world of arthur brown), brian eno, robert fripp/king crimson, elo/the move, sonic youth, buzzcocks, dead kennedies, world music, contemporary classical, free jazz, etc. etc.
Tascam 2400 digital recorder (last year) or Macbook/Garageband (this year), Shure SM57 mike, Tascam US 144 interface, Yamaha classical guitar, with pickup (or my Harmony Gibson copy electric guitar and Cort bass) and sundry implements and found objects.
Some of these songs are likely to be picked up by Spacecraft 7 and rocked up a fair bit. I'd also be open to other musicians recording them (as long as they get a mechanical license from me and credit me as the songwriter).