marc fedak
seeing strange things (on mars) seeing strange things (on mars)
oakwood woodlot music box oakwood woodlot music box
sadly i understand sadly i understand
after years and years of institutionalized racism (more so in the US but also here in Canada, and becoming more blatant in recent years)... riots. Sadly, but understandable.
no words yet (except at the very end) no words yet (except at the very end)
piano instrumental may 24 2020 piano instrumental may 24 2020
music to soothe the savage beast music to soothe the savage beast
short piano waltz in e minor short piano waltz in e minor
a justification for staying up late on a work nigh a justification for staying up late on a work nigh
still working at it (self improvement blues) still working at it (self improvement blues)
quasimodo - vocal version quasimodo - vocal version
thanks to David Novak for sending me the loop based on an acoustic guitar and bass groove that we did earlier this year. (He's on bass.) He called it "Quasimodo", so I kept that as the theme for the lyrics for this vocal version of the song.
quasimodo - instrumental version quasimodo - instrumental version
thanks to David Novak for sending me the loop based on an acoustic guitar and bass groove that we did earlier this year. (He's on bass.) I later added electric guitar, keyboard and percussion parts.
ballad in c# minor ballad in c# minor
keyboard exercise (piano, strings, trumpet and flu keyboard exercise (piano, strings, trumpet and flu
keyboard exercise (synth version) keyboard exercise (synth version)
silver birch silver birch
a tongue-in-cheek garage rock song about preferring to zone out and stare at the walls rather than do anything constructive while self-isolating.
I hope I'll get to see you again (real soon) I hope I'll get to see you again (real soon)
sinister riff (mar. 27.20) sinister riff (mar. 27.20)
in the happy sci-fi future (of 1970, with strings) in the happy sci-fi future (of 1970, with strings)
different kinds of sick different kinds of sick
in the happy sci-fi future (of 1970) in the happy sci-fi future (of 1970)
a perhaps amateurish, but nonetheless sincere tribute to the pioneering synthesizer music of Walter Carlos (later Wendy Carlos), especially his 1968 album "Switched on Bach".