KB1 MUSIC PRODUCTIONS
Life is like a piano. The white keys represent happiness and the black mean sadness. As you go through life's journey, remember that black keys also make music.
96
songs
5.6K
plays
Jazzing OUT! INSTRUMENTAL
Jazzing OUT! INSTRUMENTAL
A really jazzy instrumental that's got some character, having childhood flashbacks of being naughty, is the feel to this Tune
Quiet On The Set INSTRUMENTAL
Quiet On The Set INSTRUMENTAL
A complete orchestra and symphanatic Trap INSTRUMENTAL. THIS WAS A PROJECT THAT TURNED INTO A MASTERPIECE.
Sweet Senses INSTRUMENTAL
Sweet Senses INSTRUMENTAL
Sweet sexy R&B INSTRUMENTAL from the soft side of KB1 Music
Rolling High (INSTRUMENTAL)
Rolling High (INSTRUMENTAL)
The newest trap instrumental. I threw together in less than 10 minutes. Hope you all like this one.
Show all (96)
Basic
negotiate
MP3 + WAV
No audio tag
1,000 sales
10,000 streams
Non-exclusive
Buy 1 get 1 free
Premium
$50 $13 w/ code
MP3 + WAV
No audio tag
5,000 sales
50,000 streams
Non-exclusive
Buy 1 get 1 free
Trackout
$100 $25 w/ code
MP3 + WAV + Trackout
No audio tag
25,000 sales
500,000 streams
Non-exclusive
Buy 1 get 1 free
Unlimited
$200 $50 w/ code
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Non-exclusive
Buy 2 get 1 free
Exclusive
$2,500 $625 w/ code
MP3 + WAV + Trackout
No audio tag
Unlimited sales
Unlimited sales
Exclusive rights
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MP3 file
WAV file
Trackout/stems
Audio tags
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Exclusive rights
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Basic
negotiate
0
1,000
10,000
50/50
12 months
Buy 1 get 1 free
Premium
$50
0
5,000
50,000
50/50
12 months
Buy 1 get 1 free
Trackout
$100
0
25,000
500,000
50/50
12 months
Buy 1 get 1 free
Unlimited
$200
0
Unlimited
Unlimited
50/50
24 months
Buy 2 get 1 free
Exclusive
$2,500
0
Unlimited
Unlimited
50/50
36 months
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FAQ
Why would I need a license?
A license is needed if you want to use the music for anything else than just listening for your pleasure. Typical uses are
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
What are the license options and what are the differences between those?
We offer up to 5 license templates (Basic, Premium, Track Out, Unlimited, Exclusive) and it's up to the artist which ones he/she wants to make available. Each license comes with different perks. In general, the higher the price, the better the perks.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
You can click on each feature on the left side of the comparison chart above to learn more about each one.
When will I get the track I purchased?
You can download all related files immediately after your purchase. We also email you a one-time download link for a download later.
How can I remove the audio tag from the track?
A "tagged beat" is a demonstration version of an instrumental that contains distinct audio watermarks that typically play throughout the entire track. The purpose of a producer tagging his/her instrumental is to prevent piracy and to encourage serious recording artists to purchase a license.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
I purchased a $1 download, why is the beat still tagged?
Beats purchased for $1 in our store are meant for streaming and demo use only, just like downloads from iTunes store or Amazon music.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
What is a stem / trackout file?
A Stem file is an audio file that contains a track split into several musical elements: A drums stem, a bassline stem, a harmony stem, and a lead stem for example.
The Stem file also usually includes the original stereo master of the track for standard playback.
The Stem file also usually includes the original stereo master of the track for standard playback.
Why would I need a stem / trackout file?
A trackout file gives you much better control. Imagine you rap over a beat and you realize the percussions take the focus away from your vocals. With a trackout file
you can simply tone down the percussion and the focus is now on the vocals. With a trackout file you have much more flexibility and a whole different level of control.
Kyle Baksa is a Denver native and producer whose story is defined by constant evolution and an unfiltered commitment to truth. His path began in his childhood home, absorbing rhythm from his father, a dedicated hardcore musician. The musical pivot came early, moving from playing pots and pans to discovering digital production via the MTV Music Generator, inspired by the ahead-of-its-time sound design of Three 6 Mafia and the raw, explicit lyricism of Brother Lynch Hung.
After cutting his teeth locally with Remedy Records and formalizing his skills at Full Sail University (mastering Logic and Ableton Live), he gained unparalleled industry expertise. For over 20 years, Kyle Baksa worked as an expert Stagehand and AV Technician with the IATSE Local #7 Stagehand Union, building the stages and running sound for the world’s biggest acts at venues like Red Rocks Amphitheatre and The Fillmore.
Today, he channels this unique, high-level technical knowledge into his own production. His mature sounda precise blend of Trap, R&B, and Hip-Hopis deeply personal. It serves as a raw chronicle of survival, confronting themes of addiction, homelessness, near-death experiences, and the complex reality of relationships, betrayal, and infidelity. Kyle Baksa's music is not just beats; it’s a powerful, honest journey, transforming life’s hardest lessons into instrumentals ready for collaboration and the world stage.Band/artist history
Born in Denver (1983), Kyle Baksa is a producer whose sound is rooted in a lifetime of musical immersion. From jamming with his hardcore musician father as a toddler to mastering digital production via MTV Music Generator, his path has been one of constant evolution. After sharpening his skills in the local scene with Remedy Records (The Roxy, Market 41), he spent two decades behind the scenes as a Stagehand and AV Technician with IATSE Local #7, working major venues like Red Rocks Amphitheatre and The Fillmore. Now focused entirely on his craft, he channels this world-class experience into his current sound: a dynamic fusion of Trap, R&B, and Hip-Hop. Currently using Ableton Live, his mission is simple: to expand his network, collaborate, and bring his stadium-sized expertise to the forefront of the independent music business.Have you performed in front of an audience?Performing live in front of people is an experience that I will NEVER forget. Although I spent twenty five years on the sides, on, or around of stages. before and after the main event. Being involved in setting up for extremely famous and world-renowned artists/performers/musicians alike. The excitement of performing was nothing like I expected. I spent so much time collaborating and conversing with different artists. Past & present, to learn how they became the artist they are now. Maybe expecting to get a sense of how it feels to be the spotlight. I had no idea! Until the night I had a performance and I felt the excitement and nervousness of having hundreds and even thousands of eyes on just me. I started performing with Remedy Records Inc., the original group I started learning, evolving, and producing music with. We've done several local performances in bars and small establishments, but there were a couple of shows that stood out to me that definitely got my adrenaline going, was when we sold out the performance at the Roxy and market 41. I remember that I was so nervous, I even started visibly trembling. So I had to dance around and stay moving just so the crowd didn't catch that. From the start of the song, all the wait till the end.The crowd gradually started applauding louder and louder. Which calmed my nerves down more and more. It's hard to explain, but it is has such a powerful feeling since. The vibe from the audience as you're on stage can be overwhelming. So if you're not properly channeling your energy in the right way, things could go south in an instant at a performance. I give HUGE props to artists who perform daily or go on tours.
Your musical influences
My favorite artists growing up were Three 6 Mafia because their instrumentals were ahead of its time, and by far, the best sound blending I ever heard. I was obsessed with their sound, and my most of it's most influential lyricists were, Brother Lynch Hung, for his raw and descriptive style in his music, rapping about cannibalism, drugs and gang life. Tech N9ne has also had a huge effect on my outlook.On the music industry. Tech 9 has an infectiously abstract and sophisticated technique. As a denver, local and hungry artists I followed tech 9 from his first underground album. After mixing with other people here in Denver, I had the pleasure of meeting tech. Add a couple of parties here in Denver, which were priceless. He's a real, down to earth guy, who I had a pleasure meeting. I have not ever seen anybody come close to copying his style, Even to this day. All of my favorites Artists were explicit in a way that no artist had the courage to do at the time. I wrote my music and geared my style to sound like these artists. My current theme I like to put into my music is the pain and struggles I went through in my life with drugs and near death experiences, homelessness, addiction, and the ways I overcame them. I also make R&B/love songs based on my perception/experiences in the relationships I had in life, kids, betrayal, infidelity, and insane stories of the things I've done or been through. Then, putting every piece of it into my music.What equipment do you use?
I channel this world-class experience into my current sound: a dynamic fusion of Trap, R&B, and Hip-Hop. Currently using Ableton Live as my DAW. Running basic equipment like, Audiobox USB interface, Audio Technica condenser microphone, studio monitors, and quality headphones. From jamming with his hardcore musician father as a toddler to mastering digital production via MTV Music Generator, then spent two decades behind the scenes as a Stagehand and AV Technician with IATSE Local #7, working major venues like Red Rocks Amphitheatre and The Fillmore. Setting up concerts for all the major, world renowned artists, super celebrities, and legendary musicians known in music today. Over the years I got to know audio-visual equipment, from sound boards, to multi-million dollar video screens and lighting, wiring concepts, diagrams. I learned so many other things about A/V, on a large scale, and eventually on a personal scale, as well. Now focused entirely on his craft, he channels this world-class experience into his current sound: a dynamic fusion of Trap, R&B, and Hip-Hop. Currently using Ableton Live 12
Arvada, CO
USA
ID
1407971
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Comments (4)
here is my email looking forward to work with you
zionsoundworldmusic@gmail.com
nice this is 💥💥💥💥💥
it's coming along babe!
my fav..
