John Mitchell
John Mitchell
No other contemporary composer's style is so fiercely independent, with influences ranging from Beethoven and Hindemith to hard rock, and poetic sources as dive
3
songs
393
plays
I Hear Thee Trumpeter
I Hear Thee Trumpeter
Poem by Walt Whitman, music by John Mitchell; Jeffrey Stackhouse, bass-baritone.
"I Hear Thee Trumpeter" is a Classical track by John Mitchell on SoundClick. The arrangement reflects a careful attention to detail that rewards repeated listening. The arrangement unfolds with a natural ease, guiding the listener through a more immersive experience. "I Hear Thee Trumpeter" is part of the John Mitchell catalog on SoundClick, where independent artists connect with a global audience.
You'll Be Sorry
You'll Be Sorry
Poem by Edna St. Vincent Millay, music by John Mitchell; Wendy Lashbrook, soprano.
"You'll Be Sorry" by John Mitchell is a Classical production available on SoundClick. The song establishes its own world and invites the listener to settle in. A classical track built for repeat listens — it reveals more with each play. Stream "You'll Be Sorry" and explore more from John Mitchell on SoundClick.
I Love the Merry Dance
I Love the Merry Dance
Poem by William Blake, music by John Mitchell; April Crane, soprano.
"I Love the Merry Dance" by John Mitchell is a Classical production available on SoundClick. There is an authenticity to the performance that draws the listener in. There is a quiet confidence to this track — the mark of an artist who understands the classical sound. SoundClick gives artists like John Mitchell a platform to share original Classical music with listeners around the world.
No other contemporary composer's style is so fiercely independent, with influences ranging from Beethoven and Hindemith to hard rock, and poetic sources as diverse as Sylvia Plath and the ancient Tibetan Dzyan. Songs, operas, chamber music, choral music, and works for solo piano and organ.
Band/artist history
American classical composer John Mitchell was born in Hollywood, California on April 26,1941, first son of John Stewart Mitchell, pianist and cousin of Canadian novelist W.O. Mitchell, and Hungarian-born singer Teresa Hideg Mitchell. He studied music composition at the University of California, Los Angeles, where he became a protégé of Dr. John Vincent, then head of composition. In 1965, after Dr.Vincent lost his position to proponents of atonality (no melodies or harmonies) there was no place at UCLA for a composer writing in traditional forms, and John Mitchell left, but he and Dr.Vincent remained close friends until Vincent's death in 1977. Since 1962 Mitchell has been a church music director, organist, and opera coach. His compositions include works for solo piano and organ, choral music, chamber music, art songs and operas. In 2000-2002 he has written two piano sonatas, a song cycle based on T.S. Eliot's Four Quartets, a setting of Robert Browning's Childe Roland to the Dark Tower Came for vocal quartet, a quartet for flute, viola, bassoon and piano, a dance suite for piano, a requiem mass, and song settings of poetry of Anne Sexton. Current projects include song settings of the poetry of Dylan Thomas, Persian poet Kabir (in translation), South American poets Jorge Luis Borges and Delmira Agustini (in the original Spanish), a string quartet, and an opera based on Emily Brontë's Wuthering Heights. Mitchell is a member of the American Guild of Organists, the American Music Center, and the Center for Promotion of Contemporary Composers. He lives in Los Angeles with his wife Vicky , a dog named Chelsea, and six cats (Elizabeth, Adolf, Shelley, Isolde, Babalou and Hobbes).
Have you performed in front of an audience?
Yes, in recitals and concerts. I enjoy it, but there are always nervous moments...
Los Angeles, CA
USA
ID
26262
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