Executive Relief
About the alienation you can feel from the people around you, even those next door. Early, basic rap over mainly drum and bass backing.
A jam based on the classic track by Klaus Dinger and Michael Rother who made up the Krautrock band Neu. This features me on guitar, Dave 'd-dog' Arthur on bass and Andy Miller on drums.
A guitar instrumental that was written as a theme tune to an imaginary film about a person I used to be and now aspire to be again.
Description of the situation most of us find ourselves in at some time........ not enough money, trying to find a direction in life and losing all perspective.
A reworking of a cool Sinister Clowns tune about an 'obscure object of desire'. The lyrics describe the many conflicting emotions a man can have towards the woman in his life or, perhaps, the woman he'd like to have in his life.
Simplistic, house-style tune but with a 'half-time feel' kick drum instead of 'four-on-the-floor' and a topline consisting of swelling organ (fnarr) and a voicemail message. Just what is Donna saying?
A bit of an homage to Frank Zappa, I guess. I like to think Frank would've enjoyed this arrangement with its piano, pizzicato violins, marimbas, double bass and pipe-organ in place of the original instrumentation. Hotcha!
A reworking of a Sinister Clowns tune about a disintegrating relationship. It has a slightly different feel to the original.
A song about someone suffering from acute paranoia, written from their point of view (ie. in the first person). The structure is deliberately minimal and came about after I developed the nagging circular motif on a borrowed 12-string acoustic guitar.
An homage to Philip Glass (the name of the track is a pun) and his Koyaanisqatsi-period, Minimalist, repetitive sequences. I've since decided that they are pretty much ripped-off from Bernard Herrmann's genius Vertigo score, but hey, they still rock.
The darker side of me realised in a guitar instrumental. A sort of Mr Hyde to the Dr Jekyll of 'Mr Clean Steps Out', if you will.
Cover version of the song that was the original B-side to The Byrds 'Turn! Turn! Turn!' single (recorded live - no overdubs).