Catherine of the Woods
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Fields Fields
Many mics on the kit, then guitar, bass, three synth parts. Just a little jack-off, I guess. A band could do something with this, I feel.
dbs dbs
A tight little old 5/4 romp. Can't remember how I recorded it. Drums, a bass and a guitar. Oscar Lionel Morales De Leon sang a bit. I've recently began f*** ing with this riff again. It lives, and mutates.
I Could Go I Could Go
A finger-picked 12-string riff with eventual accompaniment. Drums into a single mic, then the guitar. Or was it the other way around? I forget. On a 4-track at home, anyways. This needs vocals BIG TIME. Oh Kaylie.......
Country Rush Country Rush
Many mics on the drums, into a nice board and Layla and all that sh** . Then a bass and guitar. That's it. Potenial, yo.
The Dune Tune The Dune Tune
Many mics on the kit, then a bass and three guitars? A double-neck 6/12 Danelectro for sure (piece of sh** ). Deciliters of it.
Corker Corker
Just a guitar run through a delay unit. Happy accident: when I recorded the drums at the end, the delay unit was still hitting everything, so it f*** ed with the drums. Inexplicably, they are also going through a pitch-shifter. Why? I have no clue.
Berundi (Hosford-Abernethy) Berundi (Hosford-Abernethy)
I only played the drums, the clean guitar in the background, and sang. Marc Cole wrote this, and played one guitar. Andy Wood played the other. Graham played bass and engineered. Had to put this song up. I LOVE IT.
