Bernd Voss
Instrumental guitar music with a flamenco touch
Enjoy this Acoustic Guitar track.
SoundClick artist Bernd Voss presents "No Tears", an outstanding release in the Acoustic Guitar genre. The track showcases Bernd Voss's instinct for crafting memorable music. The kind of acoustic guitar track that draws you in and holds your attention through to the end Bernd Voss continues to build an Acoustic Guitar catalog on SoundClick, one of the longest-running platforms for independent artists. This song is available as free download.
A Traditional Spanish track by Bernd Voss.
"sureste" is a Traditional Spanish track by Bernd Voss on SoundClick. There is an authenticity to the performance that draws the listener in. The arrangement unfolds with a natural ease, guiding the listener through a more immersive experience. It has reached the top 10 on the SoundClick Traditional Spanish chart, peaking at #8. "sureste" is part of the Bernd Voss catalog on SoundClick, where independent artists connect with a global audience. This song is available as free download.
Enjoy this Traditional Spanish track.
Independent artist Bernd Voss drops "a49", a Traditional Spanish track on SoundClick. The track carries an emotional weight that lingers well after it ends. The kind of traditional spanish cut that earns its place in a playlist and stays there. Discover "a49" and the rest of the Bernd Voss discography on SoundClick. Free MP3 download available for this track on SoundClick.
Discover this House track.
"belle passage" by Bernd Voss is a House production available on SoundClick. The production choices feel intentional, giving the track a distinct character. A house track built for repeat listens — it reveals more with each play. Stream "belle passage" and explore more from Bernd Voss on SoundClick.
An Acoustic Guitar track by Bernd Voss.
SoundClick artist Bernd Voss presents "campo llano", an outstanding release in the Acoustic Guitar genre. Every element serves the song, creating a cohesive listening experience from start to finish. Every element feels intentional, resulting in a cohesive acoustic guitar track that resonates. Bernd Voss continues to build an Acoustic Guitar catalog on SoundClick, one of the longest-running platforms for independent artists. Download this track for free.
After completing his studies at music conservatories in Hamburg and Bremen Voss headed for LA to broaden his horizons. (He was later to return to LA in 1995 to record his first solo album CRAVINGS featuring Carlos Vega (dr), Jimmy Johnson (bass), Lenny Castro (perc) and David Scott (p)).
On his return to Europe Voss toured and recorded with a variety of major artists - Dionne Warwick, Umberto Tozzi, N-Sync, Bonnie Tyler - finally settling in Seville where he immediately found access to the vibrant Flamenco scene.
In Spain he continues to work with major artists: Miguel Rios, Luis Fonsi, Valderrama, Los del Rio to name but a few.
Voss also finds time to develop his own music. After more than a decade living the cradle of Flamenco, he has now released SIESTA EN SEVILLA, an album of collaborations recorded over the years with some of the most influential, contemporary Flamenco musicians.
as guitar players:
Mark Knopfler, Pat Metheny, George Benson, Hendrix...
other musicians:
Beatles, Miles davis, Weather Report...
E-GUITARS: James Tyler Studio Elite, Fender Strat with Kloppmann pickups, Godin LGXT, Fender Am.Standard Strat with Seymour Duncan Classic Stacks and Hot Rails and Tyler switching, Godin 5th Avenue Kingpin, Ibanez Pat Metheny 120, Fender Telecaster, Gibson SG Standard, Valley Arts California Pro 7/8 Strat
AC.-GUITARS: Seagull G6, Martin DR, Garrison CA 30, Ibanez Artwood Hi-String, La Patrie Hybrid Nylon, Rodriguez nylon and Paez nylon, Guild 12 string
The acoustic guitars on the NEW CD "SIESTA EN SEVILLA" are recorded with a Neumann tlm 103 microphone from the neck side and a Neumann KM 184 from the lower body side of the guitars through a NEVE portico 5012 preamp. I mainly use the Seagull G6 and the La Patrie for the melodies. Live i am using a Fishman Aura or a Korg AX3A blended with a mic signal ( Sennheiser e914 or e614) in to a Laney A1 acoustic amp.
on solo or duo gigs i would use just the mic signal from one of the above Neumanns.
AMPS: Laney Lionheart,Fender Twin Top (Rivera), Vox AC 30 TB, Marshall Super Lead 100, Laney VR15, LINE6 Pod Xt
EFFECTS: Diamond Compressor,, seymour Duncan pickup booster,LINE6 FM4,DL4and MM4, Radial tonebone classic, Roger Linn Adrenalinn, Danelectro Talkbox, Hughes&Kettner Tube Factor,Ibanez Tube Screamer, Roger Mayer Voodoo Vibe and Voodoo Bass, Boss HR-2 and DD-5, MXR Dynacomp, Dunlop Cry Baby, Wah Wah, Ernie Ball Volume Pedal, Lehle Loopers before the amps, and Aphex Expressor, Lexicon PCM 70 and MX 200, Eventide H 3500,Yamaha SPX 900, Avalon U5 controlled by Rocktron Midi Mate and Patch Mate and Banzai Loop Expander, after the amps.