Aaron Morrison
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Prelude in A flat major, op. 1, nr. 2 Prelude in A flat major, op. 1, nr. 2
This is a, well, fast, and very short piece, which is sadly typical with me.
Etude de Concert, from Trois etudes, op. 2, nr. 1 Etude de Concert, from Trois etudes, op. 2, nr. 1
Well, this a rather, annoying etude according to people who have commented on it before. By the way: NOTICE: Something with the score messed up when I was writing this song, and it is listed as much longer than it actually is.
Etude de Concert, from Trois etudes, op. 2, nr. 2 Etude de Concert, from Trois etudes, op. 2, nr. 2
Since the 1st etude was disliked, (by most) I decided to get a little more playful with my 2nd.
Etude de Concert, from Trois etudes, op. 2, nr. 3 Etude de Concert, from Trois etudes, op. 2, nr. 3
I decided to make a finale out of the opus, by making this an obscure piece of work.
Valse Brilliante in A major, op. 3, nr. 1 Valse Brilliante in A major, op. 3, nr. 1
I feel that this waltz is much more melodical than the second waltz in the opus (though, of course, it is obvious) but the second waltz is better written.
Valse Brilliante in B flat Minor, op. 3, nr. 2 Valse Brilliante in B flat Minor, op. 3, nr. 2
Much harder than the first, of course, and much more chromatic. But better written.
Rhapsody in F minor, op. 4 Rhapsody in F minor, op. 4
This is a rhapsody with both the characteristics of a lively piece, but also the characteristics of a gentle melody.
Nocturne for Clarinet, op. 5, nr. 1 Nocturne for Clarinet, op. 5, nr. 1
A short, peaceful nocturne I wrote for the E flat Clarinet Solo.
Sicilian Dance for Clarinet, Op. 5, Nr. 2 Sicilian Dance for Clarinet, Op. 5, Nr. 2
A lively dance for Clarinet Solo
Memories of An Asylum, Part I: 'The Taphophile' Memories of An Asylum, Part I: 'The Taphophile'
Memories of An Asylum, Part II:'The Schizophrenic' Memories of An Asylum, Part II:'The Schizophrenic'
The second Part in my suite, 'Memories of an Asylum'
Memories of an Asylum, III: 'Amnesia' Memories of an Asylum, III: 'Amnesia'
M O A, IV: Paranoia; Final Visiting Hours M O A, IV: Paranoia; Final Visiting Hours
This is the final movement of my suite dedicated to Reoberto Dellavale. It is meant to be two songs (Paranoia, and then Final Visiting Hours) but the two are very related.
River Sketch for Flute and Piano, op. 7, nr. 1 River Sketch for Flute and Piano, op. 7, nr. 1
This is a very short melody intertwined with a very simplistic piano part. My first piece including a flute.
