Leland Thomas Faegre
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Tres Cuartos del Camino al Amor Tres Cuartos del Camino al Amor
Conceived in a 3/4 time signature, the syncopation nonetheless makes it feel more like 4/4. The basic introductory piano motif is stylistically salsa, with Flamenco guitar, timbales and guero, maracas, bongos and congas, cowbell and various sundry pe
5/19/2018 #32 in Traditional Spanish
On Top Of a Cloud On Top Of a Cloud
My signature thematic statement, on lovely cumulus and preferably without shoes, it is without effort that this ethereally tranquil, atmospheric composition will summon the listener to imagine themselves On Top Of a Cloud...
5/19/2018 Beats with Hooks
Ottoman Odyssey Ottoman Odyssey
Subtitled, 'Phantasmagoria,' 'Ottoman Odyssey,' is an arrangement derived from an earlier production comprised of a haunting motif that availed itself to mystery and ethnic interpretation. The 'world music fusion' that resulted from the additional p
5/19/2018 World Fusion
Marquees, Matinees and Marionettes Marquees, Matinees and Marionettes
As the title and production suggests, this composition is an aural gift of nostalgia, and reminiscent of what a child would find entertaining. An exciting Orchestral palette, with tympani and triangle the puppets almost walk off on their own...
5/19/2018 Symphonic
After You After You
'After You' is an imaginative spy themed, sweaty-palmed swashbuckling rocker which is evocatively suggestive of various thematic opportunities for film or television. It was mixed with an orchestra lay-out in mind, with tympani to the left, strings t
5/19/2018 Instrumental Rock
Together, Around the Sun Together, Around the Sun
'Together, Around the Sun' had only a working title until just before I went into final production, though I always had a celestial interpretation as the divining guide throughout the creative process. As though comfortably seated upon the polar..
8/12/2005 New Age
Serengeti Serenade Serengeti Serenade
'Serengeti Serenade' features the Kudu Antelope horn; described as sort of a French horn, it is also heard as a signature at the end. Kalimba, various percussion and African choral samples build ever gradually during the bridge or 'middle eight.'
10/5/2005 World Fusion
Minuet in D Minuet in D
The horse and carriage heard in the intro not withstanding, 'The Arrival' serves as a musical transition to alert attendees to find their seats in preparation to the imminent custom of 'The Processional,' solemnly culminating at the altar...
7/23/2004 Contemporary
Through a Rainbow Through a Rainbow
As a rainbow appears and arrests our vision, so too does the production of this composition. Aurally as delightful as a rainbow is visual, the listener can witness its splendor for its naturally brief, yet spectacular duration.
9/22/2005 New Age
Gypsies of Galatia Gypsies of Galatia
The compositional depiction of 'Gypsies of Galatia' reflects the cultural imagery of gypsies that I had witnessed while living in Ireland. Instrumentation includes medieval bagpipe to musically illustrate the nomadic nature of Galatian history.
10/5/2005 Traditional Celtic
Novus Ordo Seclorum Novus Ordo Seclorum
Subtitled The Orwellian Overture, the production was necessarily experimental in the course of three months and 56 tracks. Its mood seeks to reflect a serious interpretation of our post 9/11 world. Your papers please!
12/18/2006 Instrumental Rock
