Framework(GA)
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The Light Entertainment War The Light Entertainment War
Mountains and Molehills Mountains and Molehills
I love the energy of this one. Some of the math parts in this song really make me proud of how far I've come as a writer, and the flow of the ending always catches my ear.
Islands Islands
This is one of the newer ones. This may even end up on the final version of All Motion, No Meaning. I really have a lot of love for the way this song feels. I did a lot of things I wasn't used to, and it came out better than I could've expected.
A Hole That Can't Be Filled A Hole That Can't Be Filled
- from my writing sessions for "All Motion, No Meaning."
Cross-Section of a Deceptive Nature Cross-Section of a Deceptive Nature
- from my writing sessions for "All Motion, No Meaning."
A Captain and His Vessel A Captain and His Vessel
- from my writing sessions for "All Motion, No Meaning."
How Not to Be Seen How Not to Be Seen
- from my writing sessions for "All Motion, No Meaning."
Coming to a Complete Stop Coming to a Complete Stop
- from my writing sessions for "All Motion, No Meaning."
Reverse Osmosis Reverse Osmosis
This song was one that I didn't hold anything back on. I let it get as complex as the parts I was writing would allow. And the lead over the outro may be the most memorable lead I've written.
Recurring Visible Symptoms and What You Can Do... Recurring Visible Symptoms and What You Can Do...
This was the single from My Head; the Hurricane. I always had issues with the vocals in the chorus, but I feel like this song was such an accurate representation of where I was in life at the time.
The Shoreline Vs. My Way With Words The Shoreline Vs. My Way With Words
This song had some creative ideas in it, but as with most of my early work, there was inconsistencies and awkward spots. Still a good song, I still enjoy it now and then.
It Takes a Lot of Water to Flood a City on a Hill It Takes a Lot of Water to Flood a City on a Hill
This is the first-EVER framework song. I wrote this in my basement with Keith Wages, and to this day it remains one of my favorite tracks we had.
Distance and Sanity Distance and Sanity
This is a severely old demo! I wrote this in the early years of framework, shortly after I released the Wake Cycle EP "My Head; the Hurricane." This was a combination of a few ideas but it never really got anywhere due to some issues I had with
I Have Become a Machine I Have Become a Machine
This is one of my favorite songs I've written. Some of the technical aspects of this song really blow my mind when I take a listen.
The Harsh Reality The Harsh Reality
This song has parts in it that were later used in Cross-Section of a Deceptive Nature, and possibily a couple other songs. I loved the parts in this, but the song as a whole never seemed right.. Even though the intro is absolutely ridiculous.
I'd Walk, But My Feet Won't Touch the Ground I'd Walk, But My Feet Won't Touch the Ground
I don't even remember why the title of this one made sense.. I believe it got changed to "I'll See You in Hell Before I'll See You in Reno" haha. This was to be a b-side for the My Head; the Hurricane EP.
Silence Demo Silence Demo
This was written in a strange phase of my life, and I don't think I ever fully realized what it could've been, but it ended up getting scrapped. Maybe you'll enjoy it more?
The Ocean Could Never Be Wide Enough The Ocean Could Never Be Wide Enough
This song was intended to be for someone who I really cared about at a point on my life, and I threw it away after everything was said and done. I like to listen to it every now and then to remind myself of that time.
Interlude Interlude
I'm not even sure why I ended up doing this recording. It must've been an early experiment in interlude-ing for me.
Gravity Gravity
This one never even had a legitimate title, so one day I decided to call it Gravity, and it's stayed that way since. This is more generic than my usual work, and it will remain just a demo.
