J. Hulaton
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Club Kureya Club Kureya
Genre? Who knows? I wrote a tune for a commercial after taking a lesson from a protege of Clare Fischer. I've often wondered what would a dance piece sound like if Clare Fischer wrote it. This is the closest I could come to it.
Magic Woman Magic Woman
This tune was supposed to be for a cosmetic company video. They wanted "something sweet and innocent sounding." This was rejected because it was "too sweet." Ad guys! They're also why I don't write scores until the MIDI mock-ups are approved.
Larissa Larissa
I wrote this for a video project, but the real inspiration was a picture a friend sent me from Almaty, Kazakhstan where she and her family went on an outing in the country. A fine recorder player, Victor Eijkhout, played solo on this.
Whidbey Island Whidbey Island
The Port of Seattle Tourism Office invited a group of media people from Osaka to go to Seattle to create PR materials. I composed this piece as a score for a film a cinematographer made of Whidbey Island, a truly beautiful place.
Where The Sidewalk Ends Where The Sidewalk Ends
This is a tune I wrote to a very nice Shel Silverstein poem. It's really just an exercise in writing to lyric.
If All I Could Do Was Smile If All I Could Do Was Smile
This is a light bossanova about Thailand written for a jazz vocalist who was about to perform there.
Facing West From California's Shores Facing West From California's Shores
The Government Inspector Overture The Government Inspector Overture
Kena Ka Khotso Kena Ka Khotso
This a song that was written for the Tokyo Embassy of the African Kingdom of Lesotho. The title means "Come and stay in peace" in Sotho, one of the official languages of the country. This song features Ao Aqua, a very fine vocalist.
