Paul Wasser
I wite pop, hip-hop, progressive rock, blues, funk, country, classical, and metal. Music is universal it is all verry similar yet has its own identity.
23
songs
609
plays
Guitar Lesson 4 Guitar Lesson 4
Power cords A.K.A. fifths, palm muting, and picking technique.
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Hello everyone. I am a producer, engineer, writer, and a multi instrumentalist.
Here is what some one else has to say about me. Hi this is Justin Royer from the band Bloom, Recording in today’s world is rough! Nobody cares, the industry is corrupt and out to steal away you’re hard earned cash. I know from first hand that when recording your music the feeling from the whole experience can usually take over the smart choices in your mind. In the long run you are mislead through the whole project until the very end, when you turn on your new cd that you’ve worked so hard on putting so much time, money and passion into, too only hear the pure sounds of failure. Well as a musician let me tell you its hard not too get caught up into all the fun, for god sakes that why were musicians! Fear no longer because there is a better way, GARGOYLE RECORDING STUDIOS in conjunction with RPMJ Publishing will set you at ease showing you what a true professional recording studio can provide, produce, and teach you. Paul Wasser manager of Gargoyle Recording Studios, and RPMJ Publishing is a master within his art. He will tell you exactly what you need to do to prepare for recording before you start by setting up an interview to discuss what exactly it is you want. Then after drawling up a plan he will invite you back to begin the project that you wish to experiment with. Paul uses the top quality equipment to capture any sound you need, and perfects everything before you start the real masterpiece that you’re going to unleash. With his experience over the years he knows it all but is open minded to the artist themselves. Recording with Gargoyle is a dream come true to a musician because you can actually worry about your music which what Paul says “75% of recording is the music, once you get that its in the clear” So do your music a favor and give it the treatment it deserves, allow yourself to capture your sound, your feelings, your passion, let the music rock out and let Paul record it the right way!Band/artist history
MY BACKGROUND: Music has been part of my fiber and fabric for as long as I can remember. I began playing guitar, and organ in the mid-1980s. It started out as a hobby but quickly became a passion. In the late 1980s, I took formal lessons at Dave Phillips Music & Sound, Phillipsburg, NJ. Throughout my teen years, I took private instruction with JIM SLICK OF GANDOLF.
By 1987, I began a regimen of intense music theory and classical composition training for one hour a day, five days a week with William Carnnow. We explored the masters of music and their techniques. In 1990, I "graduated" to an intense self-study program of music of from three to 16 hours a day. Still to this day I educate myself every single day, and broaden my horizons. My intense curriculum consisted of music, business/law, producing, writing, modern music, pop, jazz, rock, hip-hop, engineering, publishing and the music industry. I have also attended Berkley online, and taught at NACC.
I have amassed nearly two decades of writing, recording, playing, and producing experience. I also track, mix, master and do session work. I have a vast knowledge of music theory and the industry.
I am proud to say my background qualifies me as mostly self-educated. I've taken nothing for granted and have learned from the greatest resource known to every man and woman. PEOPLE. I have been in every situation imagineable when recording. I have had the experience of recorded in rooms with air conditioners blasting in the background and inferior equipment to rooms with a noise coefficient of 15 with the world’s best gear.Have you performed in front of an audience?I have played with several bands in the past the stage is good but the studio is great.
Your musical influences
Tom Dowd, Sir George Martin, and Bill Putnam.What equipment do you use?
2 Panasonic Ramsa WR-DA7 Mixing Consoles 64 CHANNELS 1 Tascam X48 48 track 96k digital recorder 1 Waves Gold bundle plugins 1 Fostex D2424 24 -TrackDigital Hard disc recorder 1 Fostex D1624 16-Track Digital Recorder Genelec 1030 Studio Monitors Adam Studio Monitors Tascam CD1000 Rewritable CD/DVD Recorder
PREAMPS HHB RADIUS 30 DBX 586 Dual Channel Vacuum Tube Preamp/Limiter APHEX PRE Deesser DI M Audio Tampa ART Pro VLA Behringer T1953 Tube Ultragain Tlaudio PA-2 Dual Valve Mic Pre Amp/DI
EFFECTS H3000D/SE - Dynamic Studio Enhanced Ultra-Harmonizer with 3D spatial imaging Roland GI-20 Lexicon MPX/550 Multi Effects Unit DBX Quantum Mastering Processor DBX Driverack Studio Speaker Management System TC Helicon VoiceOne Behringer ULTRA-DYNE PRO DSP9024
MIDI Equipment Roland GI-20 EMU MP7 Alesis QSR
Microphones AKG Drum Mic Kit 1 AKG D112 2 AKG c451 B 6 AKG C418 4 AKG C418 2 AKG C414 2 AKG C414 TLII 2 AKG D310 2 AKG D410 Audiotechnica ATM73A 2 Shure SM57 Shure Beta 6.1 Shure SM 90 Altec Lansing Saltshaker Mic CAD 2 E100 Sennheiser E609 4 Audio-Technica Kp Drum Kit Mics 2 Audio-Technica Kp Cardoid Condenser Pair EV N/D 308 EV N/D 767A EV PL76A Groove Tubes AM 62 Groove Tubes AM 61 2 Groove Tubes AM 51 Groove Tubes GT 55 2 Groove Tubes GT 66 and more Groove Tubes Power Conditioners 4 Furman P-L8
Headphones 3 Sennheiser HD 265 2 Fostex RP-50 8 Akg K-66 6 Audio-Technica Fs 40
Guitars Ibanez RBM Ibanez RG 550 Fender American Fat Strat Floyd Rose Kramer American Parker P-38
Bass Ibanez SGAnything else?
Professional Associations BMI AES Grammy Foundation
Northampton,
USA
ID
859875
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