
X J Scott
X. J. Scott's music is not his own, but comes from another plane of existence, channeled from beyond during times of trance. The music predicts the future in de

Meditation #1 - Ancient Glacial Meadow beside Peak Meditation #1 - Ancient Glacial Meadow beside Peak
Meditation #1 - Ancient Glacial Meadow beside Remote Peak

Requiem For Deliverance Requiem For Deliverance
The tipping point is past, the future is anchored in place. No one can save the world now. All which has been preordained will now come to fruition. Emerald Forest tuning.

Sykstatica Baleem Sykstatica Baleem
Scree! Pancho Machievellian doughnut baster. Something of a cracked indigo pencil. I love to brig depaste melon turpentine. Then we all got into our boxes and went for a lovely duck bellybutton in a formosan spigot bristle. In 444 tET tuning.

Alligator Scamperizo Alligator Scamperizo
I give assurance these snapping creatures are most friendly.

Angkor Wat, September 1066 Angkor Wat, September 1066
The Royal Court at Angkor Wat explodes in color, smell, intrigue and mystery. Haj Dakang seeks the secret of eternal life from the Imperial Magician, Neheu Baras. Originally from the Pleiades, Baras offers the incomprehensible answer. In 11tET.
The music comes from another place and tends to predict the future. Strange tunings are used but oddly, they make sense. Motion is often present. Many pieces depict journeys and all pieces come from experiences. Visions have been reported while listening, as have the presense of colors and inexplicable ideas.
The Orb, Dolly Parton, Future Sound of London, Jean Michel Jarre, Jacques Duphly, François Couperin, J. S. Bach
, Reason, Cubase, Reaktor, FM7, Pro-53, Absynth, SY77, Prophet VS, ARP 2600, Bodhran, Djembe, Graps, Rain Stick, Tone Block, Guiro, Scrap Gong, Mbira, Hillbilly Tincamelan, Katagotan.
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