Wallace Pryor
Mostly acoustic mandolin, fiddle and guitar instrumentals in the celtic/American fiddle tune tradition.
Saint Louis Blues played by "Lost Creek Rising": Mary Duello--vocal, shaker. Wallace Pryor--electric mandolin. Dan Bayne-- electric guitar. Jim Gibson--electric bass.
Named after my dog, female cairn terrier born in 2002. I really like the way the mandolin sounds in the low register on this recording. Wallace Pryor: mandolin, bass. Dan Bayne: guitar.
Instrumental version of a Civil War era song called "The Year Of Jubilo" or "Kingdom Coming." The words used a Biblical theme of slaves being freed; which was updated to 1860s USA. Wallace Pryor: mandolin, bass. Dan Bayne: guitar.
Traditional American modal fiddle tune. The weird noises are squeaks on the bass strings. It seemed to add something so we left them in the mix. Wallace Pryor: mandolin, fiddle, lead guitar, bass. Dan Bayne: rhythm guitar.
Also known as "A Beautiful Life." Traditional gospel song. Dan Bayne: lead vocal, rhythm guitar. Wallace Pryor: vocals, mandolins, lead guitar, bass.
Wallace Pryor playing mandolin, violin (fiddle) and guitar. Instrumentals and songs in the American/Celtic tradition. The best description for the music I play would be Old Time Country. A lot of people would call it Bluegrass, which is really a distinct form of Old Time Country with a driving rhythm--some of what I play is Bluegrass, but I'd have to say I lean more towards pre-Bluegrass Old Time. My perenial music partner Dan Bayne is here to fill things out with rhythm guitar and to sing lead on a few songs.I've been playing this kind of music for fun since about 1975. I started guitar lessons when I was about nine years old with an old man named Frederick Dahlberg; who also played mandolin and gave trumpet lessons to my brother. My grandfather Fred Wallace was a musician and chef from Liverpool England who was actually an illegal immigrant to the USA; he played mandolin, guitar and concertina. I was really little when he died
and I barely remember him, but I feel like
he had some kind of influence on me; maybe
it's a genetic thing? Anyway, I got tired of playing the quitar because it seemed like everbody was playing them; started thinking mandolins were pretty cool and I got my first one when I was about 16-it was a Lyle, and I think it cost $35. I got my first fiddle about a year later after I found out they are tuned the same as a mandolin; it cost about $25 from a Salvation Army store. My brother said "it's really hard to play, you'll never learn how" so I tried really hard and got to be good enough that at least some people think it sounds good. I got into Bluegrass and Old TIme music when I saw a bluegrass gospel band on TV singing the Hank Williams song "I Saw The Light." The mandolin player took a short solo and I was hooked; I must have been about 17. I have no idea what the band was called.Have you performed in front of an audience?All of these artists have influenced my music: Norman Blake for his clean and stately form of old timey music, David Grisman influences almost every mandolin player in the world, San Bush is a great modern bluegrass mandolinist and fiddler, I can't come close to playing like him, Kenny Hall is a blind mandolin/fiddle player who uses his thumb nail for a pick, he plays straight ahead Old Time music, Jody Stecher plays beautiful music on mandolin, guitar, banjo and fiddle, and how can I forget the influence of the late great Father of Bluegrass, mandolinist/singer Bill Monroe.Gibson A1 mandolin made in 1918; a great vintage instrument. Fender 5 string electric mandolin, hollow body--I was looking for one of these, they're not easy to find, but I happened on it at a local music store. I remember asking about solid body electric mandolins at a music store, and some guy butted in and gave me a lecture about electric mandolins being "horrible things." Some folks are just too opinionated, I guess. I have a "German Conservatory" violin, I don't know how old it is. It's not anything special, but it was always nice and loud and it cuts through well with a pickup. I've had the same one since about 1980. Alvarez acoustic guitar with a cutaway. I have also had this since about 1980--it's not a Martin or a Gibson, but it's a pretty nice guitar. Those Japanese companies make some good instruments. Alvarez acoustic bass--it's kind of a sister instrument to my guitar.I always wanted to play a really loud and long rendition of "Orange Blossom Special" in a bar and smash the fiddle at the end, like Pete Townsend. I almost did it once, I had an extra fiddle that was really beat up and sounded terrible. One of my band mates talked me out of it; mentioning respect for instrument makers and so on. I wish I did it, it would have been a ridiculous bit of theatre. I think that old fiddle wound up as a wall decoration or something. Oh yeah, if any has a copy of a book called "Old Time Fiddlers Repertory" by R. P. Christensen, I want to buy one. I'm talking about volume 1, I have volume 2.