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Quinteto: 2. Colours Out of Space

Pamela J. Marshall – Contemporary Artist

Contemporary Track | Quinteto: 2. Colours Out of Space by Pamela J. Marshall | Stream Free

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Quinteto sobre los Poemas de Carlos Pintado, for strings and piano, performed by the South Beach Chamber Ensemble at South Beach Up North 2009, in Wausau, WI.
piano poetry strings chamber music cuban messiaen
Artist picture
Nature-inspired, classically-based chamber music, choral pieces, and synthesized ambient tracks, -- quirky rhythms, spicy harmonies, catchy melodic bits

I compose music for chamber groups, orchestra, synthesizers, and off-beat instruments like mandolin ensemble. You'll hear beautiful sounds, dissonant harmonies, quirky rhythms. I'm inspired by nature, poetry, and any old sound - pots and pans, crystal glasses, wind and water, and especially birds. Influences include Bartok and Messiaen, sometimes a little bit of jazz and improvisation.

Independent artist Pamela J. Marshall drops "Quinteto: 2. Colours Out of Space", a Contemporary track on SoundClick. Featuring piano and strings, the production has a distinctive and cohesive sound. This is the unmistakable sound of Cuban, and it will especially appeal to contemporary fans. "Quinteto: 2. Colours Out of Space" has peaked at #20 in the Contemporary category on SoundClick. Find more from Pamela J. Marshall on SoundClick, a platform built for independent music discovery.

Song Info
Charts
Peak #81
Peak in subgenre #20
Author
Pamela J. Marshall
Rights
Pamela J. Marshall
Uploaded
August 20, 2009
Track Files
MP3
MP3 6.7 MB 128 kbps 7:21 minutes
Story behind the song
Each movement of the Quinteto is based on a poem by Cuban poet Carlos Pintado. In the South Beach performances, he read the poems before each movement, setting an imaginative and reflective mood. In Colours, Pintado thinks about where colors come from, how could we not ask? The music is energetic and "colorful", using the full palette of sounds the strings and piano can make, including inside-the-piano, glissandi, and eerie on-the-bridge playing by the doublebass at the end.
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