Based in Atlanta, Georgia, Say-T is an independent Beats tracks producer who has been releasing music on SoundClick since 2015. With over 600 original tracks available on SoundClick, the catalog spans beats releases available for streaming and licensing.
The catalog is highly versatile, with productions ranging from mellow to aggressive in energy and from moody to positive in tone. The music spans Trap & Club Banger, drawing influence from Travis Scott, Migos & Gucci Mane. Rhythmically, the catalog is equally versatile, spanning subtle groove to dance-ready rhythms. The overall sound is crossover and radio-friendly, making it well-suited for a range of placements and projects. Across releases, the mood is consistently swag, gangsta & dope, making the catalog easy to navigate for artists seeking a specific feel.
The catalog includes notable releases that highlight the artist's range and production quality. "Eat it" is a beats production. "OCTANE" (130 BPM) is a somber beats track with a dynamic edge. "Thot Shit" (130 BPM) is a heavy, powerful club beats production.
Licensing is available directly on SoundClick, with 453 tracks available starting at $30.00 in MP3, WAV and Trackout formats. The catalog is built for flexible use across commercial, sync, and independent recording projects.
Say-T has accumulated 4.2M streams and is being featured on over 1,200+ playlists on SoundClick – with a track record of earning 6 #1 positions on the SoundClick Beats chart. Discover the full discography on SoundClick.
SoundClick artist Say-T offers "LETHAL", a Club Beats track available to license. Running at 125 BPM, this is an authentic Club Beats production with a distinct character. The production incorporates selected samples and loop elements. No vocals are used in this instrumental beat.
The beat is carefully crafted, the leading melody floats effortlessly around the bass rhythm. In the style of Drake Free and Riconastytypebeat, this type-beat track is available to license for $30.00 directly through Say-T's SoundClick page.
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