michaelchocholak
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'You don't need a mouth to communicate, you don't need rules to create. Anything is a potential instrument. Play it.' MC
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Michael Chocholak's abstract electronic and electroacoustic soundscapes where any sound source is considered a potential instrument from skin drum to pc. Influe The electronic and electroacoustic musics of Michael Chocholak. Soundscapes; abstract, visceral and imagick. Structured improvisations, surreal architectures, alternate mythologies. Music for the imagination as well as the ears. A fair amount of it probably qualifies for what Laurie Anderson termed 'the Difficult Listening Hour', but
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Michael Chocholak's abstract electronic and electroacoustic soundscapes where any sound source is considered a potential instrument from skin drum to pc. Influe The electronic and electroacoustic musics of Michael Chocholak. Soundscapes; abstract, visceral and imagick. Structured improvisations, surreal architectures, alternate mythologies. Music for the imagination as well as the ears. A fair amount of it probably qualifies for what Laurie Anderson termed 'the Difficult Listening Hour', but
Michael Chocholak's abstract electronic and electroacoustic soundscapes where any sound source is considered a potential instrument from skin drum to pc. Influe The electronic and electroacoustic musics of Michael Chocholak. Soundscapes; abstract, visceral and imagick. Structured improvisations, surreal architectures, alternate mythologies. Music for the imagination as well as the ears. A fair amount of it probably qualifies for what Laurie Anderson termed 'the Difficult Listening Hour', but
