michaelchocholak
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Ritual Reality
'You don't need a mouth to communicate, you don't need rules to create. Anything is a potential instrument. Play it.' MC
Metal Vision
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
evolver us4bt
Michael Chocholak's abstract electronic and electroacoustic soundscapes where any sound source is considered a potential instrument from skin drum to pc. Influe The electronic and electroacoustic musics of Michael Chocholak. Soundscapes; abstract, visceral and imagick. Structured improvisations, surreal architectures, alternate mythologies. Music for the imagination as well as the ears. A fair amount of it probably qualifies for what Laurie Anderson termed 'the Difficult Listening Hour', but
Electroballistics
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Station 508
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Still Life With Playground
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Wiredogs
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Second Object
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Kikeibutsu
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Kitsune Bi
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Sakura
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Tanuki
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Tsuchigumo
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Daruma
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Red Ivory
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Death is Static Death is Movement
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
White Spider White Web
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
Swallowed by the Sky
the soundtrack to Misha Nogha's cyberpunk novel Red Spider White Web We belong to an age where apocalypse is our daily bread, coffee's black, and we know we're part of the abyss. Red Spider White Web is right on target in conveying that understanding. It splinters in the mind... the underworld of the century's imaginings. Brian Aldiss
evolver 2l4dlg1
Michael Chocholak's abstract electronic and electroacoustic soundscapes where any sound source is considered a potential instrument from skin drum to pc. Influe The electronic and electroacoustic musics of Michael Chocholak. Soundscapes; abstract, visceral and imagick. Structured improvisations, surreal architectures, alternate mythologies. Music for the imagination as well as the ears. A fair amount of it probably qualifies for what Laurie Anderson termed 'the Difficult Listening Hour', but
Kequahawkas
Michael Chocholak's abstract electronic and electroacoustic soundscapes where any sound source is considered a potential instrument from skin drum to pc. Influe The electronic and electroacoustic musics of Michael Chocholak. Soundscapes; abstract, visceral and imagick. Structured improvisations, surreal architectures, alternate mythologies. Music for the imagination as well as the ears. A fair amount of it probably qualifies for what Laurie Anderson termed 'the Difficult Listening Hour', but
