exoslkeltonal
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Producer of music since 2013, I make stuff the way that makes sense to me. I became interested in making music almost as soon as I first fell in love with the Donkey Kong Country soundtrack. Early attempts at this were switching between tracks on the previewer, some sort of rudimentary DJing. The common theme with my music despite the jumps in sounds from tracks and albums, is that I approach each song as a sort of art puzzle, where it doesn't particularly matter where the pieces go, if they
Producer of music since 2013, I make stuff the way that makes sense to me. I became interested in making music almost as soon as I first fell in love with the Donkey Kong Country soundtrack. Early attempts at this were switching between tracks on the previewer, some sort of rudimentary DJing. The common theme with my music despite the jumps in sounds from tracks and albums, is that I approach each song as a sort of art puzzle, where it doesn't particularly matter where the pieces go, if they
Producer of music since 2013, I make stuff the way that makes sense to me. I became interested in making music almost as soon as I first fell in love with the Donkey Kong Country soundtrack. Early attempts at this were switching between tracks on the previewer, some sort of rudimentary DJing. The common theme with my music despite the jumps in sounds from tracks and albums, is that I approach each song as a sort of art puzzle, where it doesn't particularly matter where the pieces go, if they
Producer of music since 2013, I make stuff the way that makes sense to me. I became interested in making music almost as soon as I first fell in love with the Donkey Kong Country soundtrack. Early attempts at this were switching between tracks on the previewer, some sort of rudimentary DJing. The common theme with my music despite the jumps in sounds from tracks and albums, is that I approach each song as a sort of art puzzle, where it doesn't particularly matter where the pieces go, if they
Producer of music since 2013, I make stuff the way that makes sense to me. I became interested in making music almost as soon as I first fell in love with the Donkey Kong Country soundtrack. Early attempts at this were switching between tracks on the previewer, some sort of rudimentary DJing. The common theme with my music despite the jumps in sounds from tracks and albums, is that I approach each song as a sort of art puzzle, where it doesn't particularly matter where the pieces go, if they
Producer of music since 2013, I make stuff the way that makes sense to me. I became interested in making music almost as soon as I first fell in love with the Donkey Kong Country soundtrack. Early attempts at this were switching between tracks on the previewer, some sort of rudimentary DJing. The common theme with my music despite the jumps in sounds from tracks and albums, is that I approach each song as a sort of art puzzle, where it doesn't particularly matter where the pieces go, if they
Producer of music since 2013, I make stuff the way that makes sense to me. I became interested in making music almost as soon as I first fell in love with the Donkey Kong Country soundtrack. Early attempts at this were switching between tracks on the previewer, some sort of rudimentary DJing. The common theme with my music despite the jumps in sounds from tracks and albums, is that I approach each song as a sort of art puzzle, where it doesn't particularly matter where the pieces go, if they
Producer of music since 2013, I make stuff the way that makes sense to me. I became interested in making music almost as soon as I first fell in love with the Donkey Kong Country soundtrack. Early attempts at this were switching between tracks on the previewer, some sort of rudimentary DJing. The common theme with my music despite the jumps in sounds from tracks and albums, is that I approach each song as a sort of art puzzle, where it doesn't particularly matter where the pieces go, if they
Producer of music since 2013, I make stuff the way that makes sense to me. I became interested in making music almost as soon as I first fell in love with the Donkey Kong Country soundtrack. Early attempts at this were switching between tracks on the previewer, some sort of rudimentary DJing. The common theme with my music despite the jumps in sounds from tracks and albums, is that I approach each song as a sort of art puzzle, where it doesn't particularly matter where the pieces go, if they
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