Sam Crain
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Plaintive Tom Plaintive Tom
straight-ahead jazz thing. For what it's worth, the melody was taken from the Fugue theme of the third movement of Paul Hindemith's First String Trio(he wrote two).
Danger Dawg Danger Dawg
jamming over a quasi-tonal background of "B-3" and "drums", plus assorted sonic debris from 2 guitar tracks. You can tell I've listened to Pat Martino a time or two with this one..
service with a sneer service with a sneer
guitar psychosis guitar psychosis
wastoid wastoid
spacey, evocative sounds, like you'd listen to at the end of a night of partying & listening
Jammin tele version Jammin tele version
Same groove, different guitar and different approach.
I'm Probably Insane, but.. I'm Probably Insane, but..
crazed, but not without a certain erratic groove
Intersections Intersections
kinda wacky, but has its own strange kineticism. the music interacts, INTERSECTS, in different ways and different places. hope you like it..
bizarre guitar bizarre guitar
well actually the whole PIECE is bizarre, but the guitar in it is at least bizarre by association.
and then you'll know and then you'll know
very evocative, moody piece, has a 'revelatory' quality to it.
amblin' along amblin' along
a weird sort of "sound-bubble" groove, but it does perambulate, does move in its own way.
it's gonna be a groovy day it's gonna be a groovy day
feelgood kinda groove with guitar and keyboards and the rest of the sounds I use.
Hot cha Hot cha
Dialogue for Piano and Soundz Dialogue for Piano and Soundz
spirited conversation between the piano and the other sound-entities here.
anthem anthem
multi-layered, animated piece with a melody going through the center as keyboards dance around the periphery.
