Philbo King
Independent artist performing and recording original songs, operating Tangent Studio, and doing gigs throughout northeast Iowa
A light jazz-rock song about the search for love
"01 - Burns Too Bright" is a licensable Jazz Fusion track by Philbo King, available on SoundClick. The arrangement reflects a careful attention to detail that rewards repeated listening. A jazz fusion track built for repeat listens — it reveals more with each play. "01 - Burns Too Bright" has performed across multiple SoundClick charts, reaching #1 in Jazz and #1 in Jazz Fusion. This jazz fusion track is ready to license for $25.00 on SoundClick — ideal for content creators, filmmakers, and independent producers.
A swampy blues song about a mysterious woman
SoundClick artist Philbo King presents "02 - Lady Of The Bayou", an outstanding release in the Blues genre. Philbo King demonstrates a clear artistic voice throughout. It is 100% original and free of any third-party samples. Musical depth is added by a strong male vocal layer. A melancholic note is given by the use of the E min musical key. The track delivers a memorable listening experience in this genre, and effortlessly connects with the listener. "02 - Lady Of The Bayou" has peaked at #13 in the main Blues category on SoundClick. Philbo King is an independent artist on SoundClick, releasing Blues music directly to fans worldwide. This track is available as free download.
A county-rock song about lonely winter nights, dreaming about sitting by a campfire, catching a song that comes out of the blue.
"03 - Lonely Lullabies" by Philbo King is a Country-Rock production available on SoundClick. Rooted in County Rock, the song brings a down-tempo energy to the Country-Rock space. No external samples are used in this track. A male singer provides a powerful vocal layer to the mix. The use of E min gives the track its introspective and emotional quality. The production leans into a warm aesthetic that fits the country-rock style. It has peaked at #9 in Country and #1 in Country-Rock on the SoundClick charts. Looking for a Country-Rock track to license? "03 - Lonely Lullabies" by Philbo King is available on SoundClick for $25.00.
A song about how every one feels driven to destroy the Earth.
SoundClick artist Philbo King presents "04 - Take The World", an outstanding release in the Rock genre. The sound is shaped by flute, strings and string ensemble, giving the song its signature feel. It is 100% original and free of any third-party samples. Musical depth is added by a strong male vocal layer. A melancholic note is given by the use of the E min musical key. The brooding atmosphere pairs with an understated rhythm pulse throughout the track. "04 - Take The World" has peaked at #13 in the main Rock category on SoundClick. "04 - Take The World" can be licensed directly on SoundClick for $25.00, making it accessible for sync, content, and creative projects.
A song about politics and how it is screwing up the USA
Independent artist Philbo King drops "05 - Voting Song", a Blues track on SoundClick. Rooted in Blues, the song brings a balanced energy to the Blues space. It does not contain any samples or third-party loops. A male vocal is a key driving element of this track. The choice of A min lends the composition a slightly moody and reflective character. The track has a solid bounce quality that makes it easy to connect with. "05 - Voting Song" has peaked at number 10 on the SoundClick Blues General chart. Find more from Philbo King on SoundClick, a platform built for independent music discovery. Download this track for free.
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
You can click on each feature on the left side of the comparison chart above to learn more about each one.
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To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
The Stem file also usually includes the original stereo master of the track for standard playback.
Philbo King (Phil Koenig) has been playing guitar since age 10, when he got an all-plastic Eminee Hootenanny guitar and a thick Beatles book from his sister Cecilia for Christmas, and a classical guitar book printed in 1912 from his grandmother. These were his sole musical training, as he is completely self-taught.
At age 12, his parents moved to Davenport Iowa, where he connected with a few junior high friends to form a garage cover band called 'The Odds And Ends', doing music from the Monkees, Paul Revere and the Raiders and similar bands, playing on Teisco Del Rey and Woolworth instruments through Checkmate amplifiers. At age 13, Philbo connected with Dino Anton, who introduced him to the blues, to album rock, and connected him to blues guitar player John Pena. Early influences included Canned Heat, John Mayall and the Bluesbreakers, B.B. King, Al Cooper/Mike Bloomfield and John Lee Hooker. For the next couple of years, he sat in with various friends in all-night weekend blues jams and spent his free time playing along with records for hours each day.
From 1971 to 1973 Philbo performed with several different progressive rock and cover bands in southern Wisconsin and in the Quad Cities area, including groups called 'Pivoted' , 'Dutch Schultz and Shotgun', and 'Sunshot'. Sunshot booked with McClane Agency and played extensively for 4 or 5 years in the region from central Illinois to eastern Iowa. The advent of punk rock caused one of the members to want to change the music, and Philbo quit the band shortly after.
In 1978 Philbo played bass for a old-school country band, called 'The Good Ol' Boys' and covered music by Hank Williams Sr., Bob Wills and the Texas Playboys, Merle Haggard, Jimmy Reed, Charlie Pride and the Charlie Daniels Band. Philbo then went to work for a year or two with a Davenport local rock band called 'The Daily Planet', doing front-of-house sound mixing and assisting with recording work in their studio 'Redrox Recording'. This culminated with the band releasing an album and opening for Toto at the Palmer Auditorium in 1981.
At this point he had gotten married, went to college and started a family, then ended up teaching electronics at a voc-tech college for the next 10 years after graduating. Although he did collaborate on a few music projects with other people during this time, most of his free time was spent experimenting with a 4-track Teac reel-to-reel recorder, learning how to record and mix music.
In 1991, Philbo moved to the Cedar Rapids area and began working at an aerospace company, where he worked on jet aircraft avionics, doing work in designing autopilots, GPS, navigation, and various other projects. During this time he held weekend jam sessions at his house for his friends, and for the next 10 years played with them almost every weekend. Eventually they drifted toward using a PC to do recording, named themselves 'Tangent' and in 2000 released an album 'Sea Of Tranquility' which was a collection of all-original songs they had put together. In 2002 they released a second album of originals called 'Along Another Tangent'.
In 2010 he decided to record a solo album of all-original blues, and worked on it off and on in spare time. It was finished in 2015 and released in March 2017. Late in 2015 Philbo contacted BeBad Brad McCloud and suggested working together. They were partnering as Case Of The Blues and have performed twice at the Juke Joint Festival in Clarksdale MS, twice at the Sunday Blues show in the Des Moines Botanical Center, and a variety of tavern gigs in Iowa.
Philbo is currently working solo on recording a back catalog of over 100 songs he has written over the decades, while still performing live regularly. This recording work is expected to take a few years...
I play live frequently at local venues in Iowa. I love the energy feedback from the audience. It makes me step up my performance to return it to them.
Blues: B.B. King, Albert Collins, Freddy King, Mississippi Fred McDowell, Robert Johnson, too many to list.
Rock: Jimi Hendrix, Led Zepplin, Pink Floyd, Wishbone Ash, Joe Walsh to name a few.
Jazz: Dave Brubeck, Louis Armstrong, Fats Waller, John Coltrane, Miles Davis
Basses: Kramer, with aluminum neck. Ibanez also.
Guitars: Fender Strat, Godin LGX-SA, Gibson ES-355, 1963 Epiphone Melody Maker, Ovation Custom Balladeer 12 string, Carvin Cobalt acoustic.
Other: Regal Dobro, Hohner harmonicas, Korg DW-8000 keyboard, acoustic upright piano, Roland TD-3 electric drums, GR-30 and GR-33 guitar synths, plus a variety of acoustic percussion instruments.
I hope those who listen to my songs are taken on a journey that allows them to relate their own experiences to what's going on in the songs. I encourage everyone who enjoys what I do in music to share these songs with their friends!