Nth

Exponential Media Catalog. Composition/Production: EXME 01 I by Nth. 1997 expoMED. EXME 02 II by Nth. 1998 expoMED. EXME 03 III by Nth. 1998-1999 expoMED. EXME 04 Ethescapes by Nth. 1997-1999 expoMED. EXME 05 IV by Nth. 1999-2000 expoMED. EXME 06 V by Nth. 2000 expoMED. EXME 07 VI by Nth. 2000-2001 expoMED. EXME 08 VII by Nth. 2001-2002 expoMED. EXME 09 Nthology: 1997-2003 by Nth. 2003 expoMED. EXME 10 Variations in Modern Electronic 1 by Nth. 2002-2003 expoMED. EXME 11 Variations in Modern Electronic Music 2 by Nth. 2002-2003 expoMED. EXME 12 Seattle Sessions 1 by Nth. 2003-2004 expoMED. EXME 13 Seattle Sessions 2 by Nth. 2003-2004 expoMED. EXME 14 This is Nth. by Nth. 2004 expoMED. EXME 15 Breakbeat Companion Vol. 01 by Nth. 2005 expoMED. EXME 16 Girls Destroy Me EP by Nth. 2005 expoMED. EXME 17 Is This Nth? by Nth. 2005 expoMED. Mixes: EXMX 01 Always a First Time by Nth808. 2001 expoMED. EXMX 02 Sea Calling by Nth808. 2001 expoMED. EXMX 03 Something Wicked pt1 by Nth808. 2002 expoMED EXMX 04 Something Wicked pt2 by Nth808. 2002 expoMED. EXMX 05 Rough Sketches by Nth808. 2003 expoMED. EXMX 06 System Boot Error 1 by Nth808. 2003 expoMED. EXMX 07 Rain and Shine by Nth808. 2003 expoMED. EXMX 08 System Boot Error 2 by Nth808. 2004 expoMED. EXMX 09 Nth Steppa 2 by Nth808. 2004 expoMED. EXMX 10 Sanguine Luna by Nth808. 2005 expoMED. EXMX 11 Polygonal Displacement Syndrome by Nth808. 2005 expoMED. contact: Exponential Media / PO Box 1772 / Seattle, WA 98111, USA / 206.283.2179 office / 206.669.1952 cell nth808@hotmail.com -email http://www.myspace.com/nth808 -info / http://www.soundclick.com/nth -bio/news/mp3 http://launch.groups.yahoo.com/group/exponentialmedia - newsgroup http://fourthcity.net/sitelets/nth808.html - label http://www.underdawgrecords.net - store

PR Bio for Nth / Nth808 / nthetic sound system / G. / G. Sachio Crowe contact: Exponential Media / PO Box 1772 / Seattle, WA 98111, USA / 206.283.2179 office / 206.669.1952 cell / email Nth Info Bio/News/mp3 Newsgroup Got Nth? This is an introduction to G. Sachio Crowe his projects/aliases Nth/Nth808/Nthetic Sound System and label/network Exponential Media. He is a composer/musician, producer/dj and label/network manager for Exponential Media. Starting his career in music at the age of ten through classical training on the string bass and soon thereafter self-taught onto piano. Continued in local youth symphonies into late teens and until interest in music composition, music theory and hardware rewiring led into more piano and synthesizer-based work. Received and circuit bent his first Yamaha FM synthesizer at thirteen. By the early 1990's, his first computer, a borrowed Amiga with sequencing, sampling and midi I/O abilities and a couple years later, at sixteen, purchased his first drum machine, an Alesis SR-16 and acquired his first analog synthesizer, a Roland SH-101. He was also getting into industrial, electronic and experimental forms of composition influencing musical and sonic tools and output. In the mid-1990's, he was introduced to while also developing variations of electronic and dance styles such as dub, drum and bass, idm, techno and trance. In 2000, he was introduced to turntables, beat matching and the art of mixing and scratching. He has spent most of his young adult life in colleges in universities pursuing multiple B.S.’s in physics and biochemistry with minors in chemistry and mathematics and a PhD in theoretical physics as his main scholastic goal. His academic and research background include music composition, music theory, acoustics, psycho-acoustics, most areas in biochemistry, chemistry, mathematics and physics specializing in theoretical physics and biophysical chemistry. “ I let my intuition and understanding in music and mathematics to develop and influence my skills and personalized style.” In the meantime, he has worked in multiple record stores and established relations with many independent electronic labels and has developed an extensive library of music with several hundred records and a few thousand cd’s. Styles on cd include various forms of drum and bass, idm, industrial/ebm, ambient/experimental, reggae/dub, hip-hop, early 1950's to late 1960's era jazz/be-bop/avant-garde. Styles on vinyl include various forms of drum and bass, idm, glitch/breakcore, 2step/breaks and techno. “As a composer, I try to learn and understand all forms of melodic, harmonic and rhythmic structure occurring naturally, created or accidental, throughout various cultures and eras in music. As a musician, I try to challenge my physical and mental skills through equal affinities for the synthesizer and the piano and their histories, designs and applications. As a producer, I have been creating variations of electronic music most of my life. As a DJ, I mix several styles currently in variations on traditional and experimental forms of drum and bass, idm and breaks. As a label, Exponential Media, I am beginning to publish music on a professional level and to help support local and visiting electronic musicians, producers, performers, DJs and labels. I have developed my production studio for the compositions, recordings, personal sound design and live performances of Nth, my approach toward the creation of fully controlled and manipulated electronic music in real-time with a combination of minimal sequencing, musical improvisation, mixing, programming and using hardware and software for synthesis and sampling.” His research and work require equal balances of daily composition, improvisation, practice and study. He also emphasizes on performing live with an evolving real-time setup with synthesizers, sampler and laptop. He is beginning to publish some of the hours of music and sound research he has been developing and generating over the years. He is currently working on multiple residencies here in Seattle and playing out regularly through promotion, networking and through supportive collectives’ residencies at many Seattle venues as well as some in Portland and Vancouver BC as well. He has performed, mixed, and produced music professionally and for various paid and nonprofit events including variations of club, party, radio, studio, symphony and theater events in several cities in the northwest with recent focus on the Seattle, Vancouver BC and Portland metropolitan areas. He has and actively participates with several Seattle-based organizations including the SIL2K ensemble, Gracewerks, Backwards Records, Decibel, Sonicabal and Fourthcity collectives and is assistant manager, music buyer, operations organizer & PR manager of Underdawg Records Seattle.

Yes in Seattle.

drum and bass, idm, hardcore/breakcore, breaks, grime, industrial / ebm, electro, ambient / experimental, reggae / dub, hip-hop, 1950's -1960's jazz / bop / avant-garde. Skinny Puppy, Front Line Assembly, nin, Leatherstrip, Haujobb, Download, Plateau, Coil, Nurse with Wound, Merzbow, Lustmord, Underworld, Leftfield, Orb, Orbital, Aphex Twin, Autechre, Mu-ziq, Squarepusher, Photek, Spring Heel Jack, Venetian Snares, Plaid, Luke Vibert, Ritchie Hawtin, Prefuse 73, NWA, Wu-Tang, Living Legends, Hieroglyphics, Aesop Rock, Latyrx, Black Star, Doom, Cannibal Ox, Rhymesayers, Lex, Anticon, Rawkus, Chocolate Industries, Def Jux, Battle Axe, Mush, Metalheadz, Renegade Hardware, Tempa, Soulja, Rephlex, Planet Mu, Bpitchcntrl, Merck, Fourthcity, Hymen, Neo Ouija, Blue Note, Impulse, Scorn, Bill Laswell, Wendy Carlos, Brian Eno, Mad Professor, John Zorn, Bill Evans, Miles Davis, John Coltrane, Ornette Coleman, Roland Kirk, Charles Mingus, Charlie Parker, Beethoven, Mozart, Bach.

Alesis SR-16 Roland JP 8000 Roland SP 808 EX Clavia Nord Modular rack expanded Waldorf Microwave XT Waldorf MicroQ Emu Darwin Yamaha VSS 30 Boss ME 8 Boss RV 70 Mackie 1202 VLZ Spirit Folio notepad Numark DM 1000 Technics SL1200 mk3 Denon DJ151 Denon DNS1000 HP ze4430, AMD Athlon 2400, 448 MB ram Midiman Midisport 4x4 Midiman thru 3x8 Abelton Live Steinberg Cubase VST Sonic Foundry Sound Forge Sonic Foundry Vegas Syntrillium Cool Edit Roxio CD Creator Microsoft Windows XP Echo Indigo I/O Cambridge Soundworks Fourpoint surround Sony STR-DE 935

music for the convolution...