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"A Cloud in Trousers," Part Three
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Chorus, Orchestra, and solo Baritone
jazz classical instrumental vocal opera orchestra chamber ballet
Artist picture
Composer for large-scale performance work, ballet and opera. Have written music for classical theatrical productions of Shakespeare, ("The Tempest," "The Twelft
Loren Lieberman is a native of Denver, Colorado, now living on the West Coast in California, where he is best known for his work as an actor in Classical and Shakespearean Theatre. He has a degree from Sonoma State University in Theatre Arts, and has been an Honor's Music Composition Student at the College of Marin, Santa Rosa Junior College, and at Sonoma State University. He has won an award for composition from the Redwood Empire Music Association. He has recently completed an opera in Russian, based on the novel by Alexander Solzhenitsyn, "Cancer Ward", (and of the same name), and is currently working on his fourth opera, based on the Classical Tragedy by Sophocles, "Oedipus the King," with a libretto in Ancient Greek. His interest in languages has shaped much of his artistic temperment, and he is self taught in Russian and Sanskrit, and has hopes to begin his next opera, Shakespeare's, "Romeo and Juliet," in Hindi.
Song Info
Genre
Classical Opera
Charts
Peak #56
Peak in subgenre #3
Author
Vladimir Mayakovski/Loren Lieberman
Rights
adhikapokoya 2010
Uploaded
August 17, 2011
Track Files
MP3
MP3 6.6 MB 128 kbps 7:12
Story behind the song
Poem by Vladimir Mayakovsky. Part three, (of four parts). Composition for solo Baritone, orchestra and chorus, in Russian.
Lyrics
Andrey Kneller's translation, fournd online: Part III Ah, how and where from Did it come to this That the dirty fists of madness Against the luminous joy were raised in the air? She came,-- The thought of a madhouse And curtained my head with despair. And As in the Dreadnoughta€™s downfall With chocking spasms The men jumped into the hatch, before the ship died, The crazed Burlyuk crawled on, passing Through the screaming gaps of his eye. Almost bloodying his eyelids, He emerged on his knees, Stood up and walked And in the passionate mood, With tenderness, unexpected from one so obese, He simply said: a€œGood!" Ita€™s good when from scrutiny a yellow sweater Hides the soul! Ita€™s good when On the gibbet, in the face of terror, You shout: a€œDrink Cocoa -- Van Houten!" This moment, Like a Bengal light, Crackling from the blast, I wouldna€™t exchange for anything, Not for any money. Clouded by cigar smoke, And stretching like a liquor glass, One could make out the drunken face of Severyanin. How dare you call yourself a poet And gray, like a quail, twitter away your soul! When With brass knuckles This very moment You have to split the worlda€™s skull! You, With one thought alone in your head, a€œAm I dancing with style?a€ Look how happy I am Instead, I,-- A pimp and a fraud all the while. From all of you, Who soaked in love for plain fun, Who spilled Tears into centuries while you cried, Ia€™ll walk away And place the monocle of the sun Into my gaping, wide-open eye. Ia€™ll wear colorful clothes, the most outlandish And roam the earth To please and scorch the public, And in front of me, On a metal leash, Napoleon will run like a little puppy. Like a woman, quivering, the earth will lie down, Wanting to give in, she will slowly slump. Things will come alive And from all around, Their lips will lisp: a€œYum-yum-yum-yum-yum!a€ Suddenly, The clouds And other stuff in the air Stirred in some astonishing commotion, As if the workers in white, up there, Declared a strike, all bitter and emotional. The savage thunder peeked out of the cloud, irate. Snorting from huge nostrils, it howled And for a moment, the face of the sky bent out of shape, Resembling the iron Bismarcka€™s scowl. And someone, Entangled in the cloudsa€™ maze, To the cafe, stretched out his hand now: Both, tender somehow, And with a womanly face, And at once, like a firing cannon. You think Thata€™s the sun above the attics Gently stretching to caress the cheeks of the cafe? No, advancing again to slaughter the radicals Ita€™s General Galliffet! Take your hands out of your pockets, wanderers - Pick up a bomb, a knife or a stone And if one happens to be armless, Let him come to fight with his forehead alone! Go on, starving, Servile And abused ones, In this flea-swarming filth, do not rot! Go on! Wea€™ll turn Mondays and Tuesdays Into holidays, painting them with blood! Remind the earth whom it tried to debase! With your knives be rough! The earth Has grown fat like the mistressa€™ face, Whom Rothschild had over-loved! May the flags flutter in the line of fire As they do on holidays, with a flare! Hey, street-lamps, raise the traders up higher, Let their carcasses hang in the air. I cursed, Stabbed And hit in the face, Crawled after somebody, Biting into their ribs. In the sky, red like La Marseillaise, The sunset gasped with its shuddering lips. Ita€™s insanity! Not a thing will remain from the war. The night will come, Bite into you And swallow you stale. Look-- Is the sky playing Judas once more, With a handful of stars that were soaked in betrayal? The night, Like Mamai, feasted with delight, Crushing the city with its bottoma€™s heft. Our eyes wona€™t be able break through this night, As black as Azef! Slumped in the corner of the saloon, I sit
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