My Phantom Digital Orchestra lives in my computer and I am (on a good day) composer-in-residence, just a servant of the Muse...
I write symphonic, small ensemble and choral music, in multiple styles from medieval through modern classical. The music you hear on my pages is created with Finale notation software and Garritan Personal Orchestra sound samples.
All pieces have a traditional score associated with them; if you are interested in any piece for possible performance, please contact me for details on scoring, instrumentation, pricing, etc.
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I enjoy many kinds of music for listening - rock, pop, jazz, world, and classical of all periods. I am interested also in the fusion of art, poetry, dance, video, and ritual with music, music as a healing force and have been a music volunteer in the hospice setting.
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A powefull main theme in the Opening and reexposed in the Conclusion, with rich rythmical, timbric and armonic textures (great sound on the Bones). The quick phrasing continues along the development as an expansive progresion until the transition at about the first minute. where one can perceive an incipient B theme that apperars more clear at about 1:38 with different orchestral flavours, such as a nice dialog of Strings ant Trumpets. The overall perception is tjhat of continuous movement, maybe it was your intention at the concepcion of the piece. Only I miss the formal conclusion that problably is under construction. An original approach. since is not fully descriptive music. neither pure conceptual music, but that can fit in both.