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Rune Method 44
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Rune Method 44 pays homage to the incomparable Brian Eno and his album "Nerve Net". Only with the TS-404 sounds of course.
electronica electronic ambient beats experimental drum and bass soundtrack film glitch avant garde
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Phrygia creates sonic atmospheres that spark creative thought. Mainly electronic beat laden and experimental electronica, Phrygia has now started to dive into m
Phrygia creates diverse sonic atmospheres that spark creative thought, enabling the listener to further their efforts through aural stimulation. Within the music, we wish to propel you to another dimension of sound and thought, where worlds collide in a very abstract yet friendly atmosphere of knowledge and sensibility.
Song Info
Genre
Electronic • Experimental Sounds
Charts
Peak #244
Peak in subgenre #14
Author
David M. Boosamra / Jared A. Boosamra
Rights
© - 2003 - Phrygia / Integrated Arts, LLC - David
Uploaded
November 19, 2003
Track Files
MP3
MP3 3.5 MB • 128 kbps • 3:52
Story behind the song
Rune Method 44 pays homage to the incomparable Brian Eno and his album "Nerve Net". Only with the TS-404 sounds of course. Another collaboration with Ryan Keane, we hoped to polish off a track that would travel through only three states of emotion. The thing about Brian Eno is that he can present music in such a way that it is HUGE, but simple. Thick, but sparse. As God swayed, he put forth a stroke of his hand, from left to right. We were stricken with immobilizing awe as we witnessed the birth of a galaxy, not hundreds, but billions, and billions of stars. God smiled wryly, and with one breath, blew away the universe. As if he were a Tibetan monk swatting the Mandala with the back of his hand, causing the multi-colored stars to scatter and blur the Universe. Another Eno song, and God is back at it, swaying, and swiping a new wedge of Universe in his joyful state. Can Eno hypnotize God? Dare we imagine? That's why I like him, that's why I try to emulate his power, but I fear I am way short of this goal, so let's just say this song is pretty f'in good, OK? I started out with the monotonous TS-404 arpeggios, then took another TS-404 to trash the flow. I used 22 samples in this song. Ryan Keane contributed to the tailing end of the song. This track is definitely one to grab, and play LOUD.
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