My Phantom Digital Orchestra lives in my computer and I am (on a good day) composer-in-residence, just a servant of the Muse...
I write symphonic, small ensemble and choral music, in multiple styles from medieval through modern classical. The music you hear on my pages is created with Finale notation software and Garritan Personal Orchestra sound samples.
All pieces have a traditional score associated with them; if you are interested in any piece for possible performance, please contact me for details on scoring, instrumentation, pricing, etc.
Recent Concert:
I enjoy many kinds of music for listening - rock, pop, jazz, world, and classical of all periods. I am interested also in the fusion of art, poetry, dance, video, and ritual with music, music as a healing force and have been a music volunteer in the hospice setting.
Song Info
Track Files
Song Likes
On
Playlists
This movement has captivated my attention, not only because of its beauty, but mainly for the fact that if is the part of the Requiem where you assume the more risk, by innovatiion, mainly in the harmony. While in other movements the consequent phrase is more or less predictable (if you are used to Vivaldi, Haendel or Vienna School) in this one you are surprised (gratelfully) on the variation and originality of the language not only the harmony but the structue is innovative for a Requiem Mass. This one should be more closely related to that of Karl Jenckins than to the one of Mozart.