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Nothing But the Blood
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Tasty mixture of traditional wind ensemble and high energy jazz combo give this standard a unique sound.
progressive jazz fusion latin trumpet hackdaddy
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Progressive, Instrumental, Latin, Jazz, Smooth Jazz, Rock
Mike Hackbert is the creative force behind Hackdaddy. Mike has been an active musician since the early ’70s, when he began playing brass instruments and settled on the trumpet as a primary instrument. Mike was involved with a number of bands and ensembles in high school and college; his composing and arranging skills were honed in college and are still in use today. In the ’80s and ’90s Mike was based in Champaign-Urbana Illinois and could be seen in a number of groups around the area in addition to work as a soloist, in the theatre pits and in local recording studios. The main focus at that time was the group Champaign Brass, a brass quintet founded by Mike in 1986 that is still active today. Mike’s ability to play in a variety of styles has him frequently playing with a diverse set of groups. As Hackdaddy, Mike collaborates with other musicians globally. Mike's main influences are smooth jazz, latin beats and progressive rock, with some baroque, classic and new age thrown in as well. He has been accused of never finding an added-note chord he didn't like, and is fond of complex rhythms and time signatures. With Hackdaddy, these creative projects (some are years old, some are months old, some are only weeks old) from Mike are finding a wider audience for listening and enjoyment.
Song Info
Genre
Jazz Jazz General
Charts
#4,118 today Peak #88
#1,338 in subgenre Peak #19
Author
Hackdaddy
Uploaded
January 07, 2008
Track Files
MP3
MP3 2.6 MB 128 kbps 2:48
Story behind the song
This one started out around 2001 as a trumpet quartet, believe it or not. I am very heavily into recycling, so it's not unusual for my "projects" to manifest themselves in a variety of instrumentations, depending on any number of factors. We were living in metro Atlanta (Lawrenceville) at the time, and I was playing regularly with the Gwinnett Community Band. An offshoot, or sub-ensemble, of that group was a trumpet ensemble, which not only played at concerts but also at church services and other occasions. Nothing But the Blood was one of several pieces that I wrote for that group. Overall, the arrangement is kind of in three sections, and while the trumpet ensemble was able to pull it off at one level, the contrast of the sections really begged for fuller and more varied instrumentation. The energy of the middle section called out for the addition of a rhythm section, which of course expanded to service the whole piece. The outer sections, being more "traditional", lyrical and legato, morphed into a woodwind ensemble, and the "poor" trumpets that reigned over the initial version were reduced to punctuation fills.
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