This is a updated (best-of-my-ability) of a 1982 instrumental, for which the VOCAL Version was part of 'THE TOKYO CONNECTION' cassette-album.
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Artist picture
An Experimental Project (Lawrence Wise And The Cosmic Funk Orchestra), and a Loose Funky Jammer (OSMOSIS). 2 separate sides, the very same dude.
Hello. Lawrence Wise And The Cosmic Funk Orchestra/OSMOSIS is actually a One-Man Home Recording Project that has been my 'stress relief' (ha ha!), since about MAY, 1981. I'm from that first wave of DIY Cassette-Tapers ('analog'--and PROUD OF IT!). Hell, the majority of my material between '81 and '99 was done on the earliest large-model Casio Synthesizers (the MT-68, MT-400-V and MT-200), with a Yamaha thrown into the mix (on occasion). Recently, I've started posting my material on the web (after transfering it from cassette-tape to digital disc, and then to MP3---a very hard process, considering the AGE of some of the tapes). It was in these past 2 1/2 years on the web that I discovered that, despite the ridicule you're going to get, there IS an Audience for your music--no matter how different it is. I've been telling some of my friends and peers for years to NEVER get rid of ANY of their recordings, no matter how 'crappy' you were (of think you were), because having a 'Back Catalog' is a damn good thing. You MAY have been sitting on some GEMS, and not even know it. And, when I discovered that a 21-year-old jam I posted on MySpace recently ROCKED a lot of folks as far away as SCOTLAND and AFRICA (!), I felt pumped. It means that this was a 'dream' that came thru in the end.
Song Info
Genre
Beats R&B
Charts
Peak #1,077
Peak in subgenre #128
Author
Lawrence Wise
Rights
1982, 2007
Uploaded
November 01, 2007
Track Files
MP3
MP3 3.4 MB 128 kbps 3:44
Story behind the song
"Godzilla (The Big Bad Rapper)"--- yea yea, I know I know; but this was me wayyyyyyyyyyy back in 1982, when I was 18-going on-19. The VOCAL Version (which will NOT be Uploaded--well, maybe a NEWER version, but NOT the ORIGINAL!!) was way offbeat. Luckily, this is the ONLY Full Instrumental backing track to survive those sessions (even though it is in MONO). What I did was edit it down to a compact 3 minutes-and-change for mixing purposes (DJs, here's some more vintage ME!). It's a wild track.
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