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I am a composer of contemporary classical music, as well as a producer of various types of electronic and jazz musics. Aesthetically, I enjoy experimenting with minimal textures in conjunction with fleeting tonality and coloristic settings. Panned Ghosts is my most significant experiment to date in the synthesis of electronic and classical musics.
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I hear heart and career determination and persistence in the soprano's voice; the rest I don't hear much, no story, no feeling, it seems like rote performing to elitist avant-garde ghosts of the past... on the other hand, if you had to master this style to to become an 'accomplished composer', you can be satisfied... at around 6:10, when the piano is hitting steady quarter notes, I envisioned that the keyboard could have been written to really taken off gymnastically there (to give the piece technical credibility)