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I am a composer of contemporary classical music, as well as a producer of various types of electronic and jazz musics. Aesthetically, I enjoy experimenting with minimal textures in conjunction with fleeting tonality and coloristic settings. Panned Ghosts is my most significant experiment to date in the synthesis of electronic and classical musics.
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For something like this, I'd recommend improvising while recording for at least a hour, eight hours if you can manage it (owing to your rusty playing!) then editing together the best passages... for I find that the best passages are those where the performer's mind is elsewhere, and that cannot be done on que, but must be captured...