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Dionysian Stream
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Instrumental Jazz/World Fusion - A study in tension & release centered around a call-and-response solo section between synthesizer & electric guitar, backed by bass guitar & various percussion from around the world. Features Dave Kulju on guitar.
bach worldfusion jazzrock fretlessbass electricbass bassguitar
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World fusion bass guitarist & keyboardist with over a dozen releases, including an album of J. S. Bach arrangements for one to four bass guitars.
Bass guitar and keyboard player Gino Foti is a world fusion musician on Net Dot Music - an independent record label specializing in instrumental fusion: all-instrumental music that blends several styles and genres. His music explores the relationships between diverse musical traditions, and the dichotomy of rhythm and melody of the bass guitar, by integrating ethnic sonorities into his jazz-rock palette. He has also arranged several Johann Sebastian Bach works for one to four bass guitars, covering both sacred and secular, vocal and instrumental works from the master's oeuvre. Discography: Deep Devotion: J. S. Bach on Bass Guitar Geomantia Global Resonances Xenosonic Journeys Orbis Terrarum Sphere Of Influence Bhavachakra Vedic Mantras Bija Mantras Panchakshara Mystic Gleams Ghiza-i Ruh Breath Of Vishnu Asian Mosaic Indian Mosaic Latin Mosaic Mediterranean Mosaic The Darkness Conscious Standard Deviation (with Electrum) Frames Of Mind (with Electrum)
Song Info
Genre
Jazz Jazz Fusion
Charts
Peak #56
Peak in subgenre #12
Author
Gino Foti
Rights
2006 Net Dot Music, Inc.
Uploaded
July 30, 2006
Track Files
MP3
MP3 4.0 MB 128 kbps 4:21
Story behind the song
The ancient Greeks spoke of two spiritual streams to which people could belong: the Apollonian and the Dionysian. Apollo embodied the principles of reason, harmony, and order in the Universe, while Dionysus represented passion, rebellion, and chaos. Through the ages, music has been considered the most Dionysian of all art forms, as it appeals directly to humanity's instincts and emotions more than their logic and reason. However, were it not for the opposite Apollonian characters of form, structure, beauty, and individuality, music would have much less variety and would not be as enjoyable to listen to. This composition is Part I of "Modes Of Consciousness".
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