Song picture
Un Canadien Errant
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The lyric of this song was written in the early 1840s to describe the feelings of isolation & lonliness experienced by a French-Canadian in exile.
flute usa canada canadian traditional fiddle banjo ireland tin whistle historic united states britain bones period historical stephen foster 19th century nineteenth century
Artist picture
Musicians performing the 19th century folk music of Canada, the United States, Ireland and the U.K. on period instruments.
The artists that participated to produce these recordings of 19th century period folk music have all been costumed staff, guides, and tradespeople at historic sites across Canada (Upper Canada Village, Black Creek Pioneer Village, etc.). The music presented is performed on historically accurate instruments such as mandolin, fiddle, tin-whistle, wooden flute, bones, banjo, melodeon, button accordion, guitar, jaw harp and zither.
Song Info
Charts
Peak #240
Peak in subgenre #29
Author
traditional
Rights
2002 Brent Santin
Uploaded
May 25, 2006
Track Files
MP3
MP3 2.9 MB 128 kbps 3:07
Story behind the song
In early 1837 and 1838, rebellions in both Upper and Lower Canada were led respectively by William Lyon MacKenzie and Louis-Joseph Papineau. Both rebellions were quelled and the insurgents punished with hard labour in Van Deiman's Land or exiled elsewhere in the Empire. The lyric of this song was written in the early 1840s by M. A. Gerin-Lajoie to describe the feelings of isolation & loneliness experienced by a French-Canadian in exile. It adopts the tune of an older French fold song: 'Si tu te mets anguille'. (Vocals - Stefanie True; Guitar - G. Mallon; Flageolet - B. Santin)
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