We also decided to steal the title from the book. I wrote the beginning part of the form during a practice with a different band and the part where the drums come in louder after church one Sunday. This is our most professional sounding recording because without any horns at all, there was no mic buzz, and I was able to record directly on it. The chords over the solos are borrowed from Miles Davis's "So What". To me, one of the high points of the album occurs on this song during the piano solo when the electric piano and soloing piano fit perfectly together.
